Recontextualising the Bartmann or Bellarmine jug as a method of exploring haptic engagement in the museum or exhibition space

Abstract

This practice-based research project has developed an innovative three point methodology to explore how introducing ceramic handling collections into the exhibition space can enhance the visitor's experience. Touch is a fundamental sense to how we navigate our surroundings. By introducing haptic interactions for visitors in museums and exhibition spaces, understanding of material culture can be expanded. Handling collections can further explain a history or narrative of an object and has been proven to benefit wellbeing. The three elements of this project are to re-explore the history of the 16th and 17th century Bartmann jug, which in turn, informs the recontextualising of the Bartmann jug into three contemporary handling collections. The handling collections is designed for re-engaging the exhibition visitor in a unique form of haptic interaction. A physical learning experience will complement vision, thereby enriching the visitor's knowledge of craftsmanship, history and wellbeing.

The theoretical aspect of this thesis navigates between social science, history, museum studies and craft. It questions curatorial display attitudes whilst advocating the use of handling collections more widely by offering evidence of the benefits. It also champions expanding collaborations with artists within the museum and the heritage sector, to explore contemporary ways of bringing static objects to life, through art and creativity.

The practice component contributes to this project by the creation of three unique handling collections which interpret the Bartmann jug’s history in a contemporary context. Each collection is applied to a different narrative of the Bartmann jug’s history: investigating its commercial global reach, exploring its form and how the Bartmann mask connects to the original potters and lastly, examining how the jug was repurposed for post medieval medicinal practice. The recontextualised collections have been created to demonstrate the efficacy and inclusivity of applying the action of haptic interactions within museums and exhibition spaces.

Date of Award	Jan 2025
Original language	English
Supervisor	Christopher McHugh (Supervisor) & Joseph Mc Brinn (Supervisor)