Reassessing authority and curatorial practice
: dealing with legacies of the past in Colombia and Northern Ireland

Student thesis: Doctoral Thesis

Abstract

This research project is concerned with the evolving role of memory museums in transitional societies, in the aftermath of a peace agreement, specifically focusing on Colombia and Northern Ireland. The thesis examines the transformation of authority within memory museums, with a primary case study of Casa de la Memoria Museum. It uncovers the intricate and multifaceted nature of authority, influenced by factors such as victimhood dynamics, peace agreement implementations, and the socio-political landscape.

The study explores the methods employed in museums, collections, and exhibitions as part of memorialization processes. The study suggests that art is a powerful medium for navigating complex dimensions of memory and fostering deeper audience engagement. By incorporating artistic methods, memory exhibitions can be enhanced regardless of their primary focus, even in non-art-based memory exhibitions.

This research provides valuable insights into the evolving dynamics of memory museums. It illuminates the intricate nature of authority, emphasizing its negotiation and influence. Furthermore, it underscores the vital role of art in effectively addressing complex aspects of memory and amplifying the impact of exhibitions. These findings underscore the importance of incorporating artistic approaches in curatorial practices and memorialization efforts.
Date of AwardJan 2024
Original languageEnglish
SupervisorElizabeth Crooke (Supervisor) & Philip McDermott (Supervisor)

Keywords

  • Memory
  • Museum
  • Analytic auto-ethnography
  • Casa de la Memoria museum
  • Art

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