Abstract
The spatial affordances of VR have frequently been explored for musical purposes in recent years, but the tactile affordances that are becoming increasingly available with current hardware have been relatively underexplored in musical applications. The prevalence of consumer VR systems has created a renewed interest in embodied theories in tangible computing, alongside the imperatives (both moral and practical) for designers of accessible systems to focus on people-centred design methodologies. This paper will explore how the affordances of Virtual Reality (VR), with respect to adaptable mapping strategies, have supported the design of an Accessible Virtual Reality Musical Instrument (AVRMI), whilst also supporting participatory design practices. To begin participatory design processes, it is essential to find common areas of understanding between designer and participants. Within this paper, the authors describe design strategies that explore the spatial and tactile affordances of VR as an embodied framework for the participatory design of an accessible and immersive system for music-making. We conclude by presenting further design iterations resulting from these initial stages.
| Original language | English |
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| Title of host publication | Proceedings of the International Computer Music Conference |
| Place of Publication | University of Limerick, Ireland |
| Pages | 124-131 |
| Number of pages | 8 |
| ISBN (Electronic) | 978-0-9845274-9-6 |
| Publication status | Published (in print/issue) - 31 Dec 2022 |
| Event | Proceedings of the International Computer Music Conference 2022: Standing Wave - University of Limerick, Limerick, Ireland Duration: 3 Jul 2022 → 9 Jul 2022 https://www.fulcrum.org/epubs/8910jx22c?locale=en#page=1 |
Conference
| Conference | Proceedings of the International Computer Music Conference 2022 |
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| Country/Territory | Ireland |
| City | Limerick |
| Period | 3/07/22 → 9/07/22 |
| Internet address |