When Everywhere is Karbala: Murals, Martyrdom and Propaganda in Iran

Bill Rolston

Research output: Contribution to journalArticle

Abstract

In Tehran murals depicting men who died in the Islamic Revolution of 1979 and the Iran-Iraq war of 1980-1988 are ubiquitous. The murals represent an exercise in state propaganda, serving to remind citizens that these men died not simply for the nation but for Islam; they are martyrs. This message resonates with deeply held religious views in Iran. There is constant reference to the Battle of Karbala and the martyrdom of Imam Hossein, the grandson of the Prophet Mohammed. This is seen to prefigure the revolt of the people against the Shah in 1979, the defence of the Revolution against Saddam Hussein in the 1980s, and furthermore, the claim of the Iranian opposition that the ideals of the Islamic Revolution have been distorted by politicised clerics. In propagating the myth of Karbala, the murals function to control the masses, bolster elite power and marginalize opposition to that power.
LanguageEnglish
Pages1-21
Number of pages21
JournalMemory Studies
VolumeNA
Early online date13 Sep 2017
DOIs
Publication statusE-pub ahead of print - 13 Sep 2017

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Propaganda
propaganda
Iran
Clergy
Islam
Iraq
opposition
power elite
revolt
Exercise
myth
citizen

Keywords

  • Murals
  • Iran
  • martyrs
  • propaganda
  • Ashura
  • Imam Hossein

Cite this

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When Everywhere is Karbala: Murals, Martyrdom and Propaganda in Iran. / Rolston, Bill.

In: Memory Studies, Vol. NA, 13.09.2017, p. 1-21.

Research output: Contribution to journalArticle

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