Watching Girls Watching: Hetpaleis’s Hamilton Complex.

Tom Maguire

Watching Girls Watching: Hetpaleis’s Hamilton Complex.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2 Downloads (Pure)

Abstract

When I saw The Hamilton Complex, at Birmingham Rep as part of the programme for the ASSITEJ Artistic Gathering, On the Edge, in July 2016, it was received rapturously by many and angrily by some. Directed by Lies Pauwels, the show was a co-production between Pauwels’s company Sontag and Belgium’s leading children’s theatre company HETPALEIS. Prior to the staging in Birmingham, it had toured across Europe and been presented as part of the London International Festival of Theatre (LIFT), at the Unicorn Theatre, London’s dedicated venue for young audiences. In this chapter, I explore my own responses to this production as a way of opening up a debate about ethics and gender representation in Theatre for Young Audiences, particularly those that include young people as performers.

Original language	English
Title of host publication	Manon van de Water (ed.) Diversity, Representation, and Culture in TYA.
Editors	Manon van de Water
Place of Publication	Cape Town
Chapter	5
Pages	46-57
Number of pages	12
Edition	1st
ISBN (Electronic)	978-0-9946505-6-6
Publication status	Accepted/In press - 6 Aug 2020
Event	ITYARN Third International Theatre for Young Audiences Research Forum at the XVIIIth ASSITEJ World Congress - Warsaw, Poland Duration: 1 Jan 2014 → … http://www.ityarn.org/

Conference

Conference	ITYARN Third International Theatre for Young Audiences Research Forum at the XVIIIth ASSITEJ World Congress
Period	1/01/14 → …
Internet address	http://www.ityarn.org/

Keywords

Theatre for Young Audiences
Girl Studies
male gaze

Access to Document

Maguire_Girl Watching_GW_(2)Accepted author manuscript, 46.8 KBLicence: Unspecified

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Profiles

Thomas Maguire

tj.maguire@ulster.ac.uk

School of Arts & Humanities - Senior Lecturer in Theatre Studies
Faculty of Arts, Humanities & Social Sciences - Senior Lecturer

Person: Academic

Activities

4 Organising a conference, workshop, ...
2 Invited talk
1 Visiting an external academic institution

Creating Work for Young Audiences

Thomas Maguire (Participant)

10 Mar 2020

Activity: Participating in or organising an event › Organising a conference, workshop, ...

Beginning the journey: Legacy and Innovation in TYA .

Thomas Maguire (Member of programme committee)

16 May 2020

Activity: Participating in or organising an event › Organising a conference, workshop, ...

ITYARN Symposium at ASSITEJ Artistic Gathering

Thomas Maguire (Member of programme committee)

2 Sep 2019 → 5 Sep 2019

Activity: Participating in or organising an event › Organising a conference, workshop, ...

Research Output

2 Chapter
1 Conference contribution
1 Article

Alternative Worlds: the emergence of Theatre for Young Audiences from the conflict in Northern Ireland.

Maguire, T., 17 Jun 2020, In : Strenae. 15 p.

Research output: Contribution to journal › Article

Open Access

File

3 Downloads (Pure)

Theatre for Young Audiences in Ireland

Maguire, T., 7 Oct 2018, The Palgrave Handbook of Contemporary Irish Theatre and Performance. Jordan, E. & Weitz, E. (eds.). 1st ed. London: Palgrave Macmillan, p. 151-164 14 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Beyond the culture of concern: the context and practice of TYA in contemporary Northern Ireland

Maguire, T., Apr 2015, Youth and Performance – Perceptions of the Contemporary Child.. Wartemann, G., Saglam, T. & McAvoy, M. (eds.). Hildesheim: Olms Weidmann, p. 43-58

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Cite this

Maguire, T. (Accepted/In press). Watching Girls Watching: Hetpaleis’s Hamilton Complex. In M. van de Water (Ed.), Manon van de Water (ed.) Diversity, Representation, and Culture in TYA. (1st ed., pp. 46-57).

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abstract = "When I saw The Hamilton Complex, at Birmingham Rep as part of the programme for the ASSITEJ Artistic Gathering, On the Edge, in July 2016, it was received rapturously by many and angrily by some. Directed by Lies Pauwels, the show was a co-production between Pauwels{\textquoteright}s company Sontag and Belgium{\textquoteright}s leading children{\textquoteright}s theatre company HETPALEIS. Prior to the staging in Birmingham, it had toured across Europe and been presented as part of the London International Festival of Theatre (LIFT), at the Unicorn Theatre, London{\textquoteright}s dedicated venue for young audiences. In this chapter, I explore my own responses to this production as a way of opening up a debate about ethics and gender representation in Theatre for Young Audiences, particularly those that include young people as performers. ",

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