Watching Girls Watching: Hetpaleis’s Hamilton Complex

Tom Maguire

Watching Girls Watching: Hetpaleis’s Hamilton Complex

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

6 Downloads (Pure)

Abstract

When I saw The Hamilton Complex, at Birmingham Rep as part of the programme for the ASSITEJ Artistic Gathering, On the Edge, in July 2016, it was received rapturously by many and angrily by some. Directed by Lies Pauwels, the show was a co-production between Pauwels’s company Sontag and Belgium’s leading children’s theatre company HETPALEIS. Prior to the staging in Birmingham, it had toured across Europe and been presented as part of the London International Festival of Theatre (LIFT), at the Unicorn Theatre, London’s dedicated venue for young audiences. In this chapter, I explore my own responses to this production as a way of opening up a debate about ethics and gender representation in Theatre for Young Audiences, particularly those that include young people as performers.

Original language	English
Title of host publication	Diversity, Representation, and Culture in TYA
Editors	Manon van de Water
Place of Publication	Cape Town
Chapter	5
Pages	46-57
Number of pages	12
Volume	n/a
Edition	1st
ISBN (Electronic)	9780994650566
Publication status	E-pub ahead of print - 1 Nov 2020
Event	ITYARN Third International Theatre for Young Audiences Research Forum at the XVIIIth ASSITEJ World Congress - Warsaw, Poland Duration: 1 Jan 2014 → … http://www.ityarn.org/

Conference

Conference	ITYARN Third International Theatre for Young Audiences Research Forum at the XVIIIth ASSITEJ World Congress
Period	1/01/14 → …
Internet address	http://www.ityarn.org/

Keywords

Theatre for Young Audiences
Girl Studies
male gaze

Access to Document

Maguire_Girl Watching_GW_(2)Accepted author manuscript, 46.8 KBLicence: Unspecified

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4 Organising a conference, workshop, ...
2 Invited talk
1 Visiting an external academic institution

Beginning the journey: Legacy and Innovation in TYA
Thomas Maguire (Member of programme committee)
22 Mar 2021 → 23 Mar 2021
Activity: Participating in or organising an event › Organising a conference, workshop, ...
Creating Work for Young Audiences
Thomas Maguire (Participant)
10 Mar 2020
Activity: Participating in or organising an event › Organising a conference, workshop, ...
ITYARN Symposium at ASSITEJ Artistic Gathering
Thomas Maguire (Member of programme committee)
2 Sep 2019 → 5 Sep 2019
Activity: Participating in or organising an event › Organising a conference, workshop, ...

2 Chapter
1 Conference contribution
1 Article

Alternative Worlds: the emergence of Theatre for Young Audiences from the conflict in Northern Ireland.
Maguire, T., 17 Jun 2020, In: Strenae. 16, 15 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
18 Downloads (Pure)
Theatre for Young Audiences in Ireland
Maguire, T., 7 Oct 2018, The Palgrave Handbook of Contemporary Irish Theatre and Performance. Jordan, E. & Weitz, E. (eds.). 1st ed. London: Palgrave Macmillan, p. 151-164 14 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Beyond the culture of concern: the context and practice of TYA in contemporary Northern Ireland
Maguire, T., Apr 2015, Youth and Performance – Perceptions of the Contemporary Child.. Wartemann, G., Saglam, T. & McAvoy, M. (eds.). Hildesheim: Olms Weidmann, p. 43-58
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

How training for stage and screen can combat bullying and abuse
Thomas Maguire
7/11/17
1 Media contribution
Press/Media: Expert Comment

Cite this

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title = "Watching Girls Watching: Hetpaleis{\textquoteright}s Hamilton Complex",

abstract = "When I saw The Hamilton Complex, at Birmingham Rep as part of the programme for the ASSITEJ Artistic Gathering, On the Edge, in July 2016, it was received rapturously by many and angrily by some. Directed by Lies Pauwels, the show was a co-production between Pauwels{\textquoteright}s company Sontag and Belgium{\textquoteright}s leading children{\textquoteright}s theatre company HETPALEIS. Prior to the staging in Birmingham, it had toured across Europe and been presented as part of the London International Festival of Theatre (LIFT), at the Unicorn Theatre, London{\textquoteright}s dedicated venue for young audiences. In this chapter, I explore my own responses to this production as a way of opening up a debate about ethics and gender representation in Theatre for Young Audiences, particularly those that include young people as performers. ",

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Watching Girls Watching: Hetpaleis’s Hamilton Complex

Abstract

Conference

Keywords

Access to Document

Beginning the journey: Legacy and Innovation in TYA

Creating Work for Young Audiences

ITYARN Symposium at ASSITEJ Artistic Gathering

Alternative Worlds: the emergence of Theatre for Young Audiences from the conflict in Northern Ireland.

Theatre for Young Audiences in Ireland

Beyond the culture of concern: the context and practice of TYA in contemporary Northern Ireland

How training for stage and screen can combat bullying and abuse

Cite this