Abstract
The work made by Victor Sloan throughout the Troubles was a significant response through the last two decades of the last century. However, Sloan's earlier work, photographs that provided the raw material for his later 're-worked' art works, are rarely seen and little known. Ken Grant examines the early work, Sloan's life and intentions during the era in which this work was made and, by association, brings a new understanding to the development of Craigavon new town and the influence it has had on the artist's life and work. The work was included in a catalogue that accompanied Sloan's one person exhibition at FE McWilliam Gallery.
| Original language | English |
|---|---|
| Title of host publication | Victor Sloan Drift |
| Place of Publication | Banbridge |
| Publisher | F.E. McWilliam Gallery and Studio |
| Pages | 22-31 |
| Number of pages | 9 |
| ISBN (Print) | 978-1-908455-13-0 |
| Publication status | Published (in print/issue) - 31 Dec 2014 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 11 Sustainable Cities and Communities -
SDG 15 Life on Land -
SDG 16 Peace, Justice and Strong Institutions
Keywords
- photography and communities
- photography and class
- Northern Ireland
- Northern Ireland and communities
- Craigavon
- new towns
- demographics
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