Veil Series I

Mary McIntyre

Veil Series I

Research output: Other contribution › peer-review

Abstract

This series of photographic works depict the most transient elements of the landscape by photographing it in mist and fog, so that the landscape subject is obscured and unfamiliar. In these images fog envelopes each location so that the background disappears from view, leaving only the foreground visible, floating detached from any surrounding context. This series investigates philosophical ideas of the ‘sublime’, developed from the 18th century onward, and places them in a contemporary context. Details: Series of six works, entitled, 'Veil I, II, III' (2006), 'Veil VII, VIII, IX' (2008), colour lightjet photographic prints mounted on dibond, each measuring 80 cm x 100 cm. Edition of three.

Original language	English
Publication status	Published (in print/issue) - 2006

Bibliographical note

Works from this series were purchased by the Arts Council of England and are on loan display, touring to venues within the UK, including Royal Festival Hall, London. Works from this series were included in the publication: 'Future Images', International photography publication, edited by Mario Cresci, published by 24 Ore Motta Cultura, Milan, ISBN 978-88-6413-017-0

Keywords

Photography
17th
19th European Landscape painting
the sublime
nature
phenomena.

Access to Document

http://www.marymcintyre.org/

Cite this

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title = "Veil Series I",

abstract = "This series of photographic works depict the most transient elements of the landscape by photographing it in mist and fog, so that the landscape subject is obscured and unfamiliar. In these images fog envelopes each location so that the background disappears from view, leaving only the foreground visible, floating detached from any surrounding context. This series investigates philosophical ideas of the {\textquoteleft}sublime{\textquoteright}, developed from the 18th century onward, and places them in a contemporary context. Details: Series of six works, entitled, 'Veil I, II, III' (2006), 'Veil VII, VIII, IX' (2008), colour lightjet photographic prints mounted on dibond, each measuring 80 cm x 100 cm. Edition of three.",

keywords = "Photography, 17th, 19th European Landscape painting, the sublime, nature, phenomena.",

author = "Mary McIntyre",

note = "Works from this series were purchased by the Arts Council of England and are on loan display, touring to venues within the UK, including Royal Festival Hall, London. Works from this series were included in the publication: 'Future Images', International photography publication, edited by Mario Cresci, published by 24 Ore Motta Cultura, Milan, ISBN 978-88-6413-017-0",

year = "2006",

language = "English",

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AU - McIntyre, Mary

N1 - Works from this series were purchased by the Arts Council of England and are on loan display, touring to venues within the UK, including Royal Festival Hall, London. Works from this series were included in the publication: 'Future Images', International photography publication, edited by Mario Cresci, published by 24 Ore Motta Cultura, Milan, ISBN 978-88-6413-017-0

PY - 2006

Y1 - 2006

N2 - This series of photographic works depict the most transient elements of the landscape by photographing it in mist and fog, so that the landscape subject is obscured and unfamiliar. In these images fog envelopes each location so that the background disappears from view, leaving only the foreground visible, floating detached from any surrounding context. This series investigates philosophical ideas of the ‘sublime’, developed from the 18th century onward, and places them in a contemporary context. Details: Series of six works, entitled, 'Veil I, II, III' (2006), 'Veil VII, VIII, IX' (2008), colour lightjet photographic prints mounted on dibond, each measuring 80 cm x 100 cm. Edition of three.

AB - This series of photographic works depict the most transient elements of the landscape by photographing it in mist and fog, so that the landscape subject is obscured and unfamiliar. In these images fog envelopes each location so that the background disappears from view, leaving only the foreground visible, floating detached from any surrounding context. This series investigates philosophical ideas of the ‘sublime’, developed from the 18th century onward, and places them in a contemporary context. Details: Series of six works, entitled, 'Veil I, II, III' (2006), 'Veil VII, VIII, IX' (2008), colour lightjet photographic prints mounted on dibond, each measuring 80 cm x 100 cm. Edition of three.

KW - Photography

KW - 17th

KW - 19th European Landscape painting

KW - the sublime

KW - nature

KW - phenomena.

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UR - http://marymcintyre.org/pdf/circa_interview_2006.pdf

UR - http://www.informaworld.com/smpp/content~content=a914150490~db=all~jumptype=rss

UR - http://www.artnet.com/Artists/LotDetailPage.aspx?lot_id=8CCC3EB8C5AB67E5B7EE8C11B5C2F027

UR - http://www.artrabbit.com/uk/events/event/18397/archiving_place_time

UR - http://www.wolverhamptonart.org.uk/wolves/learning/resources/archiving

UR - http://www.italbooks.com/Search/book/164/future-images

M3 - Other contribution

ER -

Veil Series I

Abstract

Bibliographical note

Keywords

Access to Document

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