'Unseen Women: Stories from Armagh Gaol.' Exhibiting Contrasting Memories of a Contested Space.

Research output: Chapter in Book/Report/Conference proceedingChapter

1 Citation (Scopus)

Abstract

This chapter describes and analyses the collaborative and inclusive protocols employed in creating a multiple-narrative audiovisual gallery exhibition of interviews recorded at Armagh Gaol, Northern Ireland's prison for political and non-political female prisoners. It argues that the protocols of shared ownership and shared editorial control were essential in bringing these stories to the public.
LanguageEnglish
Title of host publicationChallenging History in the Museum. International Perspectives.
Place of PublicationFarnham, Surrey
Pages163-174
Publication statusPublished - Feb 2014

Fingerprint

Northern Ireland
Prisoners
Prison
Ownership

Keywords

  • post-conflict
  • Northern Ireland and the Troubles
  • collaborative documentary
  • exhibiting contested memories
  • memory and conflict
  • female political prisoners
  • Armagh Gaol

Cite this

Mairs Dyer, J. (2014). 'Unseen Women: Stories from Armagh Gaol.' Exhibiting Contrasting Memories of a Contested Space. In Challenging History in the Museum. International Perspectives. (pp. 163-174). Farnham, Surrey.
Mairs Dyer, Jolene. / 'Unseen Women: Stories from Armagh Gaol.' Exhibiting Contrasting Memories of a Contested Space. Challenging History in the Museum. International Perspectives.. Farnham, Surrey, 2014. pp. 163-174
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Mairs Dyer, J 2014, 'Unseen Women: Stories from Armagh Gaol.' Exhibiting Contrasting Memories of a Contested Space. in Challenging History in the Museum. International Perspectives.. Farnham, Surrey, pp. 163-174.

'Unseen Women: Stories from Armagh Gaol.' Exhibiting Contrasting Memories of a Contested Space. / Mairs Dyer, Jolene.

Challenging History in the Museum. International Perspectives.. Farnham, Surrey, 2014. p. 163-174.

Research output: Chapter in Book/Report/Conference proceedingChapter

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Mairs Dyer J. 'Unseen Women: Stories from Armagh Gaol.' Exhibiting Contrasting Memories of a Contested Space. In Challenging History in the Museum. International Perspectives.. Farnham, Surrey. 2014. p. 163-174