Abstract
This essay explores the the way in which Belfast has traditionally been portrayed as a city of violence and sectarian strife. This is contrasted with some more recent films that have begun to reflect a more benign, consumerist Belfast that reflects the optimism of a post-conflict society.
| Original language | English |
|---|---|
| Title of host publication | Keeping it Real: Irish Film and Television |
| Editors | Ruth Barton, Harvey O'Brien |
| Publisher | Wallflower Press |
| Pages | 134-147 |
| ISBN (Print) | 978-1–903364–94–9 (pbk) 978-1–903364–95–7 (hbk) |
| Publication status | Published (in print/issue) - 2004 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- Irish film
- Northern Ireland
- sectarianism
- landscape
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