Abstract
This essay explores the the way in which Belfast has traditionally been portrayed as a city of violence and sectarian strife. This is contrasted with some more recent films that have begun to reflect a more benign, consumerist Belfast that reflects the optimism of a post-conflict society.
Original language | English |
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Title of host publication | Keeping it Real: Irish Film and Television |
Editors | Ruth Barton, Harvey O'Brien |
Publisher | Wallflower Press |
Pages | 134-147 |
ISBN (Print) | 978-1–903364–94–9 (pbk) 978-1–903364–95–7 (hbk) |
Publication status | Published (in print/issue) - 2004 |
Keywords
- Irish film
- Northern Ireland
- sectarianism
- landscape