Tokyo Jazz Joints: Japanese jazz kissa as heterotopia

Philip Arneill

Tokyo Jazz Joints: Japanese jazz kissa as heterotopia

Belfast School of Art

Research output: Contribution to journal › Article › peer-review

Abstract

Tokyo Jazz Joints: Japanese jazz kissa as heterotopiaTokyo Jazz Joints is an audio-visual project documenting Japan’s jazz listening spaces (jazu kissa). Interwoven with a personal account of a visit to the legendary Basie, this paper will introduce and contextualise the Tokyo Jazz Joints project, and propose that jazu kissa can be considered as examples of heterotopia as conceptualised by Foucault (1967).

Original language	English
Pages (from-to)	81-96
Number of pages	16
Journal	Jazz-hitz: Jazz Music Research Journal
Volume	4
Publication status	Published - 19 Nov 2021

Keywords

jazz
kissaten
Japan
Japanese
autoethnography
counterculture
listening space
heterotopia
culture
music

Access to Document

http://jazz-hitz.musikene.eus/index.php/jazz-hitz/article/view/88/52

Cite this

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title = "Tokyo Jazz Joints: Japanese jazz kissa as heterotopia",

abstract = "Tokyo Jazz Joints: Japanese jazz kissa as heterotopiaTokyo Jazz Joints is an audio-visual project documenting Japan{\textquoteright}s jazz listening spaces (jazu kissa). Interwoven with a personal account of a visit to the legendary Basie, this paper will introduce and contextualise the Tokyo Jazz Joints project, and propose that jazu kissa can be considered as examples of heterotopia as conceptualised by Foucault (1967).",

keywords = "jazz, kissaten, Japan, Japanese, autoethnography, counterculture, listening space, heterotopia, culture, music",

author = "Philip Arneill",

year = "2021",

month = nov,

day = "19",

language = "English",

volume = "4",

pages = "81--96",

journal = "Jazz-hitz: Jazz Music Research Journal",

issn = "2605-2490",

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AU - Arneill, Philip

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AB - Tokyo Jazz Joints: Japanese jazz kissa as heterotopiaTokyo Jazz Joints is an audio-visual project documenting Japan’s jazz listening spaces (jazu kissa). Interwoven with a personal account of a visit to the legendary Basie, this paper will introduce and contextualise the Tokyo Jazz Joints project, and propose that jazu kissa can be considered as examples of heterotopia as conceptualised by Foucault (1967).

KW - jazz

KW - kissaten

KW - Japan

KW - Japanese

KW - autoethnography

KW - counterculture

KW - listening space

KW - heterotopia

KW - culture

KW - music

UR - http://jazz-hitz.musikene.eus/index.php/jazz-hitz/issue/view/4

M3 - Article

VL - 4

SP - 81

EP - 96

JO - Jazz-hitz: Jazz Music Research Journal

JF - Jazz-hitz: Jazz Music Research Journal

SN - 2605-2490

ER -

Tokyo Jazz Joints: Japanese jazz kissa as heterotopia

Abstract

Keywords

Access to Document

Other files and links

Fingerprint

Exploring Jazz Through Photography

Entering the Inner Sanctum: Japanese Jazz Kissaten as Sacred Spaces

Tokyo Jazz Joints: A Visual Document of a Hidden, Vanishing World of Jazz

Japan 2021: TOKYO JAZZ JOINTS Photographic Exhibition

Cite this

Tokyo Jazz Joints: Japanese jazz kissa as heterotopia

Abstract

Keywords

Access to Document

Other files and links

Fingerprint

Activities

Exploring Jazz Through Photography

Research output

Entering the Inner Sanctum: Japanese Jazz Kissaten as Sacred Spaces

Tokyo Jazz Joints: A Visual Document of a Hidden, Vanishing World of Jazz

Press / Media

Japan 2021: TOKYO JAZZ JOINTS Photographic Exhibition

Cite this