The Primitive Image: Tradition, Modernity and Cinematic Ireland

Martin McLoone

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    This article considers the dominant image of Ireland in cinematic images from British and American cinema and argues that the recurring theme is the relative primitiveness of Ireland, reflecting a romantic sensibility about the relationship between tradition and modernity.
    Original languageEnglish
    Title of host publicationReturning to Ourselves: Second volume of papers from the John Hewitt Summer School
    EditorsEve Patton
    PublisherLagan Press
    Pages310-324
    ISBN (Print)1-873687-56-7
    Publication statusPublished (in print/issue) - 1995

    Keywords

    • Romanticism
    • landscape
    • primitivism
    • Ireland
    • cinema

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