Abstract
This article considers the dominant image of Ireland in cinematic images from British and American cinema and argues that the recurring theme is the relative primitiveness of Ireland, reflecting a romantic sensibility about the relationship between tradition and modernity.
Original language | English |
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Title of host publication | Returning to Ourselves: Second volume of papers from the John Hewitt Summer School |
Editors | Eve Patton |
Publisher | Lagan Press |
Pages | 310-324 |
ISBN (Print) | 1-873687-56-7 |
Publication status | Published (in print/issue) - 1995 |
Keywords
- Romanticism
- landscape
- primitivism
- Ireland
- cinema