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THE IRON WAY (Decimation in D - Venice)
Daniel Shipsides
, Neal Beggs
Belfast School of Art
Faculty of Arts, Humanities & Social Sciences
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Arts & Humanities
Abject
16%
Actuality
14%
Adriatic
15%
Anecdote
14%
Animation
28%
Arthur Danto
19%
Articulation
15%
Artist
32%
Artwork
48%
Atelier
18%
Belfast
16%
Birds
17%
Black Sabbath
45%
Boys
11%
Brutality
15%
Catalyst Arts
54%
Categorical
13%
Chaos
13%
Coast
10%
Coherency
19%
Communication
8%
Conscious
10%
Counterculture
16%
Credit
12%
Documentation
11%
Economics
6%
Editing
17%
Electronic music
17%
Elevation
29%
Emancipation
19%
Enclosure
14%
Encore
16%
Fascism
26%
Fold
13%
Folk
12%
Footage
66%
Futurist
17%
Good Sense
18%
Guitar
50%
Happening
16%
Heaven
12%
History
27%
Hotels
28%
Imagining
12%
Iron
31%
Marcel Duchamp
18%
Masculinity
16%
Mass Communication
16%
Morph
37%
Mountains
81%
Movies
15%
Music
42%
Music Videos
17%
Nation-state
16%
Nature
8%
Open Work
19%
Paramilitaries
18%
Performance
41%
Performance Art
16%
Pig
56%
Pilgrims
14%
Poetics
19%
Political Culture
13%
Political Rights
16%
Popular Song
16%
Regular
11%
Rhetoric
14%
Rise
9%
Rock
12%
Screening
13%
Sheet music
19%
Soldiers
10%
Song
62%
Sorrow
15%
Sound
100%
Soundscape
16%
Spoken Word
62%
Steel
13%
Strings
26%
Subject Matter
12%
Terror
38%
Text Work
18%
Trip
12%
Ulster
16%
Venice Biennale
61%
Video Projection
22%
Volunteers
13%
Weave
13%
Winter
15%
Wire
29%
Wood
12%
World War I
83%
World Wide Web
11%
Zombies
17%