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THE IRON WAY (Decimation in D - Venice)
Daniel Shipsides
, Neal Beggs
Belfast School of Art
Faculty of Arts, Humanities & Social Sciences
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Arts & Humanities
Sound
100%
World War I
83%
Mountains
81%
Footage
66%
Spoken Word
62%
Song
62%
Venice Biennale
61%
Pig
56%
Catalyst Arts
54%
Guitar
50%
Artwork
48%
Black Sabbath
45%
Music
42%
Performance
41%
Terror
38%
Morph
37%
Artist
32%
Iron
31%
Wire
29%
Elevation
29%
Hotels
28%
Animation
28%
History
27%
Fascism
26%
Strings
26%
Video Projection
22%
Coherency
19%
Sheet music
19%
Open Work
19%
Emancipation
19%
Poetics
19%
Arthur Danto
19%
Text Work
18%
Marcel Duchamp
18%
Atelier
18%
Paramilitaries
18%
Good Sense
18%
Editing
17%
Music Videos
17%
Futurist
17%
Zombies
17%
Birds
17%
Electronic music
17%
Popular Song
16%
Nation-state
16%
Belfast
16%
Happening
16%
Ulster
16%
Masculinity
16%
Abject
16%
Mass Communication
16%
Political Rights
16%
Encore
16%
Counterculture
16%
Soundscape
16%
Performance Art
16%
Adriatic
15%
Brutality
15%
Articulation
15%
Winter
15%
Sorrow
15%
Movies
15%
Enclosure
14%
Actuality
14%
Rhetoric
14%
Pilgrims
14%
Anecdote
14%
Weave
13%
Categorical
13%
Volunteers
13%
Political Culture
13%
Steel
13%
Fold
13%
Screening
13%
Chaos
13%
Trip
12%
Rock
12%
Heaven
12%
Credit
12%
Imagining
12%
Folk
12%
Subject Matter
12%
Wood
12%
World Wide Web
11%
Boys
11%
Documentation
11%
Regular
11%
Soldiers
10%
Coast
10%
Conscious
10%
Rise
9%
Communication
8%
Nature
8%
Economics
6%