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THE IRON WAY (Decimation in D - Venice)
Daniel Shipsides
, Neal Beggs
Belfast School of Art
Arts, Space and Place
Faculty of Arts, Humanities & Social Sciences
Art and Design Research
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Weight
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Arts and Humanities
Sound
100%
Venice
100%
Frontier
63%
Vocal Music
54%
Artwork
36%
Europe
36%
Motifs
36%
footage
36%
Spoken word
36%
Venice biennale
27%
Guitar
27%
Terror
27%
Poetics
18%
Hotels
18%
Catalyst Arts
18%
Sublime
18%
Artists
18%
Iron
18%
Ulster
9%
Experiential
9%
Visual Arts
9%
Army
9%
Genre
9%
Regular
9%
Conscious
9%
Sorrow
9%
Legacy
9%
Folk
9%
Masculinity
9%
Nation-state
9%
Belfast
9%
Heaven
9%
Paramilitaries
9%
Audiovisual
9%
Performance Art
9%
era
9%
Electronics
9%
Imagining
9%
Articulation
9%
Video Projection
9%
Atelier
9%
loyalist
9%
Chaos
9%
trip
9%
Modernism
9%
Soundscape
9%
First World War
9%
Actuality
9%
Anecdote
9%
Subject Matter
9%
Political Right
9%
text work
9%
Electronic music
9%
Political Culture
9%
Abject
9%
Weave
9%
Pilgrims
9%
Music videos
9%
Counter-culture
9%
Sheet music
9%
Popular song
9%
brutality
9%
gigs
9%