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Abstract

This series explores the relationship between contemporary photography and the traditional modes of pictorial representation of painting. In these works photography has been used to document large-scale portrait paintings, which sit uncomfortably in run-down and incongruous surroundings. Details: Series of two works, ‘The Grand & The Mean I, II’ (1998), 122 cm x 152 cm, colour c.type photographic prints. Edition of three.
Original languageEnglish
Publication statusPublished (in print/issue) - 1998

Bibliographical note

This series was purchased for private collection.

Keywords

  • Photography
  • portraiture
  • painting
  • institutional space.

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