Abstract
This essay takes as its anchor my third research project Sky-field as an example
of mediatised live art action. I would like to argue that the division between
mediatised and live experience cannot be affronted in base of the deployment
of the medium as such. Mediatisation is a relatively new term that refers to
the deployment of media with technological timbre into live experience. In
order to support my position, I will make a brief excursus on concepts around
performativity with reference to P. Auslander, P. Zarilli and W. Benjamin among
others. The aim is to unravel and offer a map of the debate around the issue of
mediatisation and liveness.
of mediatised live art action. I would like to argue that the division between
mediatised and live experience cannot be affronted in base of the deployment
of the medium as such. Mediatisation is a relatively new term that refers to
the deployment of media with technological timbre into live experience. In
order to support my position, I will make a brief excursus on concepts around
performativity with reference to P. Auslander, P. Zarilli and W. Benjamin among
others. The aim is to unravel and offer a map of the debate around the issue of
mediatisation and liveness.
Original language | English |
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Pages (from-to) | 30-33 |
Number of pages | 4 |
Journal | Intersections (Postgraduate Journal - Arts , Humanities , Social Sciences) |
Volume | 1 |
Issue number | 2 |
DOIs | |
Publication status | Published (in print/issue) - 3 Jul 2020 |