The Actor in Pirandello’s Novels

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Abstract

This article provides an overview of the multifaceted role that Pirandello had at the time of the birth of theatre directing in Italy, highlighting aspects that demonstrate his involvement in the world of theatre practitioners. I relate some features of this role to the relationship between Pirandello and acting and I provide some examples of how acting relates to the characters of some of Pirandello’s novels, providing a comparative analysis of aspects of Konstantin Stanislavski’s background, key theories and practices.
Original languageEnglish
Pages (from-to)85-101
JournalPirandello Studies
Volume36
Publication statusPublished - 31 Oct 2016

Keywords

  • Pirandello Stanislavski

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