The Actor in Pirandello’s Novels

Giuliano Campo

The Actor in Pirandello’s Novels

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Abstract

This article provides an overview of the multifaceted role that Pirandello had at the time of the birth of theatre directing in Italy, highlighting aspects that demonstrate his involvement in the world of theatre practitioners. I relate some features of this role to the relationship between Pirandello and acting and I provide some examples of how acting relates to the characters of some of Pirandello’s novels, providing a comparative analysis of aspects of Konstantin Stanislavski’s background, key theories and practices.

Original language	English
Pages (from-to)	85-101
Journal	Pirandello Studies
Volume	36
Publication status	Published (in print/issue) - 31 Oct 2016

Keywords

Pirandello Stanislavski

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Accepted author manuscript PDFAuthor Accepted Manuscript, 344 KB

https://pure.ulster.ac.uk/en/publications/the-actor-in-pirandellos-novels-2

Cite this

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title = "The Actor in Pirandello{\textquoteright}s Novels",

abstract = "This article provides an overview of the multifaceted role that Pirandello had at the time of the birth of theatre directing in Italy, highlighting aspects that demonstrate his involvement in the world of theatre practitioners. I relate some features of this role to the relationship between Pirandello and acting and I provide some examples of how acting relates to the characters of some of Pirandello{\textquoteright}s novels, providing a comparative analysis of aspects of Konstantin Stanislavski{\textquoteright}s background, key theories and practices.",

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author = "Giuliano Campo",

year = "2016",

month = oct,

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language = "English",

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journal = "Pirandello Studies",

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publisher = "Society for Pirandello Studies",

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PY - 2016/10/31

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N2 - This article provides an overview of the multifaceted role that Pirandello had at the time of the birth of theatre directing in Italy, highlighting aspects that demonstrate his involvement in the world of theatre practitioners. I relate some features of this role to the relationship between Pirandello and acting and I provide some examples of how acting relates to the characters of some of Pirandello’s novels, providing a comparative analysis of aspects of Konstantin Stanislavski’s background, key theories and practices.

AB - This article provides an overview of the multifaceted role that Pirandello had at the time of the birth of theatre directing in Italy, highlighting aspects that demonstrate his involvement in the world of theatre practitioners. I relate some features of this role to the relationship between Pirandello and acting and I provide some examples of how acting relates to the characters of some of Pirandello’s novels, providing a comparative analysis of aspects of Konstantin Stanislavski’s background, key theories and practices.

KW - Pirandello Stanislavski

UR - https://pure.ulster.ac.uk/en/publications/the-actor-in-pirandellos-novels-2

M3 - Article

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VL - 36

SP - 85

EP - 101

JO - Pirandello Studies

JF - Pirandello Studies

ER -

The Actor in Pirandello’s Novels

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Giuliano Campo

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The Actor in Pirandello’s Novels

Abstract

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Giuliano Campo

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