The Act, The Idea and The Thing: Painting As Research

Majella Clancy

The Act, The Idea and The Thing: Painting As Research

Majella Clancy

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

The Act, The Idea and The Thing: Painting as Research

Dr. Majella Clancy, Belfast School of Art, Ulster University

The Act, the Idea and the Thing considers painting research through the lens of painting as action, agency, and object. It considers the work of Belfast based painter Dr. Susan Connolly and in particular her practice-led PhD ‘Processual Slippage: An Exploration of a Painting Project Making Itself’, Ulster University, (2019). This paper also reaches out to two additional exhibitions and events within the framework of painting research, namely ‘How the Image Echoes’, an exhibition and painting symposium, curated by Dougal McKenzie, and Dr. Louise Wallace, Belfast, (2019 and 2020) and ‘Penumbra’, a painting exhibition, curated by Dr. Riann Coulter and Dr. Louise Wallace at FE McWilliam Gallery, Co Down, (2020). Painting explored here demonstrates its possibilities and its reception within the field of painting research.

Key Words: Painting, Research, Act, Idea, Thing

Original language	English
Title of host publication	International Congress on Contemporary European Painting, University of Porto, Portugal
Publication status	Published (in print/issue) - 21 Jun 2022

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 4 Quality Education
SDG 5 Gender Equality

Cite this

@inproceedings{7a88e4a0cbb54783af564dad1af7e262,

title = "The Act, The Idea and The Thing: Painting As Research",

abstract = "The Act, The Idea and The Thing: Painting as Research Dr. Majella Clancy, Belfast School of Art, Ulster University The Act, the Idea and the Thing considers painting research through the lens of painting as action, agency, and object. It considers the work of Belfast based painter Dr. Susan Connolly and in particular her practice-led PhD {\textquoteleft}Processual Slippage: An Exploration of a Painting Project Making Itself{\textquoteright}, Ulster University, (2019). This paper also reaches out to two additional exhibitions and events within the framework of painting research, namely {\textquoteleft}How the Image Echoes{\textquoteright}, an exhibition and painting symposium, curated by Dougal McKenzie, and Dr. Louise Wallace, Belfast, (2019 and 2020) and {\textquoteleft}Penumbra{\textquoteright}, a painting exhibition, curated by Dr. Riann Coulter and Dr. Louise Wallace at FE McWilliam Gallery, Co Down, (2020). Painting explored here demonstrates its possibilities and its reception within the field of painting research. Key Words: Painting, Research, Act, Idea, Thing ",

author = "Majella Clancy",

year = "2022",

month = jun,

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language = "English",

booktitle = "International Congress on Contemporary European Painting, University of Porto, Portugal",

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PY - 2022/6/21

Y1 - 2022/6/21

N2 - The Act, The Idea and The Thing: Painting as Research Dr. Majella Clancy, Belfast School of Art, Ulster University The Act, the Idea and the Thing considers painting research through the lens of painting as action, agency, and object. It considers the work of Belfast based painter Dr. Susan Connolly and in particular her practice-led PhD ‘Processual Slippage: An Exploration of a Painting Project Making Itself’, Ulster University, (2019). This paper also reaches out to two additional exhibitions and events within the framework of painting research, namely ‘How the Image Echoes’, an exhibition and painting symposium, curated by Dougal McKenzie, and Dr. Louise Wallace, Belfast, (2019 and 2020) and ‘Penumbra’, a painting exhibition, curated by Dr. Riann Coulter and Dr. Louise Wallace at FE McWilliam Gallery, Co Down, (2020). Painting explored here demonstrates its possibilities and its reception within the field of painting research. Key Words: Painting, Research, Act, Idea, Thing

AB - The Act, The Idea and The Thing: Painting as Research Dr. Majella Clancy, Belfast School of Art, Ulster University The Act, the Idea and the Thing considers painting research through the lens of painting as action, agency, and object. It considers the work of Belfast based painter Dr. Susan Connolly and in particular her practice-led PhD ‘Processual Slippage: An Exploration of a Painting Project Making Itself’, Ulster University, (2019). This paper also reaches out to two additional exhibitions and events within the framework of painting research, namely ‘How the Image Echoes’, an exhibition and painting symposium, curated by Dougal McKenzie, and Dr. Louise Wallace, Belfast, (2019 and 2020) and ‘Penumbra’, a painting exhibition, curated by Dr. Riann Coulter and Dr. Louise Wallace at FE McWilliam Gallery, Co Down, (2020). Painting explored here demonstrates its possibilities and its reception within the field of painting research. Key Words: Painting, Research, Act, Idea, Thing

UR - https://icocep.fba.up.pt/program/

M3 - Conference contribution

BT - International Congress on Contemporary European Painting, University of Porto, Portugal

ER -

The Act, The Idea and The Thing: Painting As Research

Abstract

UN SDGs

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