Taking Murals Seriously: Basque Murals and Mobilisation

B. Rolston, Amaia Alvarez Berastegi

    Research output: Contribution to journalArticlepeer-review

    9 Citations (Scopus)

    Abstract

    The purpose of this article is to take the admonition of taking the visual seriously into the realms of murals. It will present empirical data on contemporary murals in the Basque Country with a view to examining why murals are important to the abertzale-left, the broad left-wing nationalist movement in the Basque Country which includes but ranges far beyond the armed group ETA. The struggle for Basque autonomy from Spain has its roots in a nationalist awakening in the late twentieth century. It has developed through the struggle with fascism; the prolonged authoritarian, centralist state; and the transition to democracy after the death of Franco. Central to this development has been the definition of Basque identity in terms of culture rather than birth. Language has been key, but there has also been a visual strand to the struggle. The article will examine the state of that visual strand currently by examining murals on a range of themes: language and culture, independence and socialism, armed struggle, political prisoners, torture and repression, martyrs and heroes, women and environmental issues.
    Original languageEnglish
    Pages (from-to)33-56
    JournalInternational Journal of Politics, Culture, and Society
    Volume29
    Issue number1
    Early online date12 Aug 2015
    DOIs
    Publication statusPublished (in print/issue) - Mar 2016

    Keywords

    • Murals

    Fingerprint

    Dive into the research topics of 'Taking Murals Seriously: Basque Murals and Mobilisation'. Together they form a unique fingerprint.

    Cite this