Abstract
This article discusses how the combination of circumambient sound and predominantly fixed camera position in It Can Pass Through The Wall (Jude, 2014) achieves a similarly spatial and performative use of sound to that found in multi-channel electroacoustic concert performances. I consider to what extent space itself can 'tell a story' (Emmerson, 2007: 92)
| Original language | English |
|---|---|
| Pages (from-to) | 173-176 |
| Journal | Short Film Studies |
| Volume | 7 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published (in print/issue) - 1 Oct 2017 |
Keywords
- acousmatic
- electroacoustic
- film
- performative
- sound
- spatial
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Adam Melvin
- School of Arts & Humanities - Lecturer in Music
- Faculty of Arts, Humanities & Social Sciences - Lecturer
- Music, Drama, Dance, Performing Arts, Film and Screen Studies Research
Person: Academic
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