Abstract
This article discusses how the combination of circumambient sound and predominantly fixed camera position in It Can Pass Through The Wall (Jude, 2014) achieves a similarly spatial and performative use of sound to that found in multi-channel electroacoustic concert performances. I consider to what extent space itself can 'tell a story' (Emmerson, 2007: 92)
Original language | English |
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Pages (from-to) | 173-176 |
Journal | Short Film Studies |
Volume | 7 |
Issue number | 2 |
DOIs | |
Publication status | Published (in print/issue) - 1 Oct 2017 |
Keywords
- acousmatic
- electroacoustic
- film
- performative
- sound
- spatial
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Adam Melvin
- School of Arts & Humanities - Lecturer in Popular Music
- Faculty of Arts, Humanities & Social Sciences - Lecturer
Person: Academic