Sound as Performative Space

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This article discusses how the combination of circumambient sound and predominantly fixed camera position in It Can Pass Through The Wall (Jude, 2014) achieves a similarly spatial and performative use of sound to that found in multi-channel electroacoustic concert performances. I consider to what extent space itself can 'tell a story' (Emmerson, 2007: 92)
Original languageEnglish
Pages (from-to)173-176
JournalShort Film Studies
Issue number2
Publication statusPublished (in print/issue) - 1 Oct 2017


  • acousmatic
  • electroacoustic
  • film
  • performative
  • sound
  • spatial


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