Abstract
What does a surveillance team do in its day-to-day work? And how do the bedrock elements of this work mould the ‘working personality’ of a surveillance officer? In this article, drawing on ethnographic material, we use dramaturgical theory to pinpoint a dilemma that is intrinsic to surveillance work, namely a surveillance team’s requirement to mitigate their risk of exposure, while simultaneously maintaining control of the operation’s subject. But, crucially, if the team has to make a choice, cover trumps control. If, then, the team is to work safely, a surveillance officer has to stop thinking like a police officer: the ‘good’ surveillance officer develops a ‘working personality’ whose attributes include discipline, loyalty, and, above all else, a sense of circumspection.
| Original language | English |
|---|---|
| Pages (from-to) | 1-17 |
| Number of pages | 17 |
| Journal | British Journal of Criminology |
| Early online date | 28 Oct 2025 |
| DOIs | |
| Publication status | Published online - 28 Oct 2025 |
Funding
T his work was supported by the Economic and Social Research Council (RES-062-23-2212).
Keywords
- police culture
- surveillance
- ethnography
- dramaturgical theory
- covert investigation
- Regulation of Investigatory Powers Act 2000