Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German".

Pól Ó Dochartaigh

Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German".

Pól Ó Dochartaigh

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

The article investigates the moral ambiguity that surrounds both German and American characters in Joseph Kanon's novel "The Good German", which is set in Occupied Berlin in the immediate aftermath of World War 2 and the Holocaust.

Original language	English
Title of host publication	Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity
Editors	Pól Ó Dochartaigh, Christiane Schönfeld
Place of Publication	Rochester, NY
Publisher	Camden House
Pages	212-226
ISBN (Print)	9781571134981
Publication status	Published (in print/issue) - 3 Jun 2013

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Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German". / Ó Dochartaigh, Pól.
Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity. ed. / Pól Ó Dochartaigh; Christiane Schönfeld. Rochester, NY: Camden House, 2013. p. 212-226.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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T1 - Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German".

AU - Ó Dochartaigh, Pól

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BT - Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity

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A2 - Schönfeld, Christiane

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CY - Rochester, NY

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Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German".

Abstract

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