Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German".

Pól Ó Dochartaigh

    Research output: Chapter in Book/Report/Conference proceedingChapter

    Abstract

    The article investigates the moral ambiguity that surrounds both German and American characters in Joseph Kanon's novel "The Good German", which is set in Occupied Berlin in the immediate aftermath of World War 2 and the Holocaust.
    LanguageEnglish
    Title of host publicationRepresenting the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity
    EditorsPól Ó Dochartaigh, Christiane Schönfeld
    Place of PublicationRochester, NY
    Pages212-226
    Publication statusPublished - 3 Jun 2013

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    Cite this

    Ó Dochartaigh, P. (2013). Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German". In P. Ó Dochartaigh, & C. Schönfeld (Eds.), Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity (pp. 212-226). Rochester, NY.
    Ó Dochartaigh, Pól. / Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German". Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity. editor / Pól Ó Dochartaigh ; Christiane Schönfeld. Rochester, NY, 2013. pp. 212-226
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    abstract = "The article investigates the moral ambiguity that surrounds both German and American characters in Joseph Kanon's novel {"}The Good German{"}, which is set in Occupied Berlin in the immediate aftermath of World War 2 and the Holocaust.",
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    Ó Dochartaigh, P 2013, Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German". in P Ó Dochartaigh & C Schönfeld (eds), Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity. Rochester, NY, pp. 212-226.

    Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German". / Ó Dochartaigh, Pól.

    Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity. ed. / Pól Ó Dochartaigh; Christiane Schönfeld. Rochester, NY, 2013. p. 212-226.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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    T1 - Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German".

    AU - Ó Dochartaigh, Pól

    PY - 2013/6/3

    Y1 - 2013/6/3

    N2 - The article investigates the moral ambiguity that surrounds both German and American characters in Joseph Kanon's novel "The Good German", which is set in Occupied Berlin in the immediate aftermath of World War 2 and the Holocaust.

    AB - The article investigates the moral ambiguity that surrounds both German and American characters in Joseph Kanon's novel "The Good German", which is set in Occupied Berlin in the immediate aftermath of World War 2 and the Holocaust.

    M3 - Chapter

    SN - 9781571134981

    SP - 212

    EP - 226

    BT - Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity

    A2 - Ó Dochartaigh, Pól

    A2 - Schönfeld, Christiane

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    Ó Dochartaigh P. Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German". In Ó Dochartaigh P, Schönfeld C, editors, Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity. Rochester, NY. 2013. p. 212-226