Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German".

Pól Ó Dochartaigh

    Research output: Chapter in Book/Report/Conference proceedingChapter

    Abstract

    The article investigates the moral ambiguity that surrounds both German and American characters in Joseph Kanon's novel "The Good German", which is set in Occupied Berlin in the immediate aftermath of World War 2 and the Holocaust.
    Original languageEnglish
    Title of host publicationRepresenting the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity
    EditorsPól Ó Dochartaigh, Christiane Schönfeld
    Place of PublicationRochester, NY
    PublisherCamden House
    Pages212-226
    ISBN (Print)9781571134981
    Publication statusPublished - 3 Jun 2013

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  • Cite this

    Ó Dochartaigh, P. (2013). Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German". In P. Ó Dochartaigh, & C. Schönfeld (Eds.), Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity (pp. 212-226). Camden House. http://www.camden-house.com/store/viewItem.asp?idProduct=14176