Abstract
Christopher McHugh was invited to present a paper about his work in Seto, Japan, as part of the Archaeology, place making and art in Japan and the UK Symposium, Museum of London Archaeology, 21 November 2016.
| Original language | English |
|---|---|
| Publication status | Published (in print/issue) - 21 Nov 2016 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 9 Industry, Innovation, and Infrastructure
-
SDG 11 Sustainable Cities and Communities
Keywords
- Archaeology
- Art
- Japan
- UK
- Placemaking
Fingerprint
Dive into the research topics of 'Setomonogatari: Ceramic Practice as an Archaeology of the Contemporary Past Part 2: Archaeology, place making and art in Japan and the UK, Symposium, Museum of London Archaeology'. Together they form a unique fingerprint.-
‘Who will draw our pots in the future?’ Archaeologists and Ceramicists in Conversation
Mc Hugh, C. (Organiser)
9 Oct 2019Activity: Participating in or organising an event › Organising a conference, workshop, ...
-
Ceramic Artist in Residence, Seto International Ceramics and Glass Art Exchange Program, Seto City, Japan
Mc Hugh, C. (Participant)
1 Nov 2015 → 22 Dec 2015Activity: Other
File
-
SetoMonogatari 7 (2019): Irish State Art Collection
Mc Hugh, C. (Artist), 15 Aug 2020Research output: Non-textual form › Artefact
Open AccessFile -
Works SetoMonogatari 5,6,7,8: exhibited in Land/Marks, Ceramics Ireland Triennial 2020, Farmleigh Gallery, Dublin
Mc Hugh, C. (Artist), 15 Aug 2020Research output: Non-textual form › Exhibition
File -
From Stoke to Seto: The adoption of British ceramic manufacturing techniques and styles in twentieth century Japan
Mc Hugh, C., 5 Oct 2019.Research output: Contribution to conference › Other › peer-review
File
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver