Sectarian Sound and Cultural Identity in Northern Ireland

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

This chapter examines the role sound plays in the construction and maintenance of sectarian cultures in Northern Ireland. The specific case of Northern Ireland is then set in a wider context of soundscape study advancing the argument that the sonic space has been overlooked in traditional conflict studies despite the key role it plays in society in general, but in particular in a society like Northern Ireland with a rich aural tradition.
LanguageEnglish
Title of host publicationAuditory Cultures
EditorsMike Bull, Les Back
Place of PublicationOxford
Pages265-279
Publication statusPublished - 2003

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Northern Ireland
Cultural Identity
Sectarian
Sound
Aural
Soundscape

Cite this

Moore, P. (2003). Sectarian Sound and Cultural Identity in Northern Ireland. In M. Bull, & L. Back (Eds.), Auditory Cultures (pp. 265-279). Oxford.
Moore, Paul. / Sectarian Sound and Cultural Identity in Northern Ireland. Auditory Cultures. editor / Mike Bull ; Les Back. Oxford, 2003. pp. 265-279
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Moore, P 2003, Sectarian Sound and Cultural Identity in Northern Ireland. in M Bull & L Back (eds), Auditory Cultures. Oxford, pp. 265-279.

Sectarian Sound and Cultural Identity in Northern Ireland. / Moore, Paul.

Auditory Cultures. ed. / Mike Bull; Les Back. Oxford, 2003. p. 265-279.

Research output: Chapter in Book/Report/Conference proceedingChapter

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Moore P. Sectarian Sound and Cultural Identity in Northern Ireland. In Bull M, Back L, editors, Auditory Cultures. Oxford. 2003. p. 265-279