Abstract
The publicly funded screen development agency, Northern Ireland Screen, has been the key institutional actor in the exponential growth of the screen industries in Northern Ireland. The most prominent production to be based in Northern Ireland has been Home Box Office’s Game of Thrones, which had much of its eight seasons filmed in the region. Significant amounts of public finance have been offered to the screen industries, with direct funding provided to augment United Kingdom-wide tax breaks. However, there has been a lack of critical analysis of the recipients of this finance, on the precarious nature of many of the jobs that have been created, or on the stated benefits to the economy. This article subjects the role of Northern Ireland Screen to policy analysis to attempt to fill this scholarly gap. Setting the subject into the context of public support for film and television across the United Kingdom, it is argued that the economic argument for providing direct financial support to the screen industries needs to be viewed in the context of the overall impact on society.
Original language | English |
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Pages (from-to) | 845-862 |
Number of pages | 18 |
Journal | Media, Culture and Society |
Volume | 41 |
Issue number | 6 |
Early online date | 7 Mar 2019 |
DOIs | |
Publication status | Published (in print/issue) - 1 Sept 2019 |
Keywords
- film and television production
- Game of Thrones
- Northern Ireland Screen
- policy analysis
- screen industries
- tax relief
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Dive into the research topics of 'Screen production on the ‘biggest set in the world’: Northern Ireland Screen and the case of Game of Thrones'. Together they form a unique fingerprint.Profiles
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Robert Porter
- School of Applied Social and Policy Sc. - Lecturer in Sociology
- Faculty of Arts, Humanities & Social Sciences - Lecturer
Person: Academic
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Phil Ramsey
- School of Communication and Media - Lecturer
- Faculty of Arts, Humanities & Social Sciences - Lecturer
Person: Academic