‘Sa Choille Ghruamaich: Ceist Cuideachd, Cainnt is Cèilidh’/‘In the Gloomy Forest: a Question of Company, Speech and Ceilidhs’

Iain S. MacPherson

    Research output: Contribution to journalArticle

    Abstract

    A paper for the Transactions of the Gaelic Society of Inverness, written in Scottish Gaelic, which looks at the use of Canda/British North America as a geo-emotional construct in the socio-politico debate regarding the merits of emigration from the Scottish Gaidhealtachd/Highlands to the New World. By taking on three of the most well-known Scottish Gaelic song-poems, from the contra side of the debate, the author submits them to a close reading to elucidate the various narratives of cultural, linguistic and geographic (topographical) anxiety on the parts of the composers/poets. Throughout, various examples of pro emigration/immigration song-poems composed/written in Scottish Gaelic in Canada are marshalled to counter the prevailing mood of displacement as a journey through a vale of unremitting tears. Issues of the forces of metropolitan cultural models imposed on colonial productions are also raised in the process.
    LanguageEnglish
    Pages255-272
    JournalTransactions of the Gaelic Society of Inverness
    Volume64
    Publication statusPublished - Apr 2008

    Fingerprint

    Scottish Gaelic
    Song
    Emigration
    Poem
    Anxiety
    Scottish Highlands
    Poet
    Inverness
    Merit
    Cultural Models
    Composer
    Metropolitan
    British North America
    Tears
    Journey
    Emotion
    Canada
    Mood
    Immigration
    Colonies

    Keywords

    • Emigration literature
    • Canada
    • Scottish Gaelic
    • cultural imperialism
    • metropole

    Cite this

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    ‘Sa Choille Ghruamaich: Ceist Cuideachd, Cainnt is Cèilidh’/‘In the Gloomy Forest: a Question of Company, Speech and Ceilidhs’. / MacPherson, Iain S.

    Vol. 64, 04.2008, p. 255-272.

    Research output: Contribution to journalArticle

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    AB - A paper for the Transactions of the Gaelic Society of Inverness, written in Scottish Gaelic, which looks at the use of Canda/British North America as a geo-emotional construct in the socio-politico debate regarding the merits of emigration from the Scottish Gaidhealtachd/Highlands to the New World. By taking on three of the most well-known Scottish Gaelic song-poems, from the contra side of the debate, the author submits them to a close reading to elucidate the various narratives of cultural, linguistic and geographic (topographical) anxiety on the parts of the composers/poets. Throughout, various examples of pro emigration/immigration song-poems composed/written in Scottish Gaelic in Canada are marshalled to counter the prevailing mood of displacement as a journey through a vale of unremitting tears. Issues of the forces of metropolitan cultural models imposed on colonial productions are also raised in the process.

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