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Restless for the Future: Eschatology and Evangelical Time in Ulster-Scots Writing and Culture

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

Death has been a major focus of Ulster-Scots Presbyterian writing, from the eighteenth century to the present day. Eschatological, apocalyptic, and dispensational modes of thinking circulate, migrate, and manifest themselves in various expressions of Ulster Protestant culture, both religious and secular. A futurist eschatology can be connected to the restlessness and motion characteristic of Ulster migrants to the New World. The Ulster Kailyard tradition demonstrates narrative examples of death-in-life that form the atmosphere of Presbyterian piety. Archibald McIlroy, Lydia Foster, and Florence Davidson offer an escape from the modern world through an embracement of death and future judgement. The discourse around the North West 200 road race also participates in a fascination with time and eternity, and identifies speed and death as central to Ulster identity. The novels of Jan Carson, following the tradition of Irish Protestant Gothic, articulate evangelical concepts of time and the embracement of death.
Original languageEnglish
Title of host publicationReligion in Irish Literature and Culture
Place of PublicationCambridge
PublisherCambridge University Press
Chapter12
Pages204 - 223
Number of pages19
ISBN (Electronic)9781009191616
Publication statusPublished online - 20 Feb 2026

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

  1. SDG 4 - Quality Education
    SDG 4 Quality Education
  2. SDG 5 - Gender Equality
    SDG 5 Gender Equality
  3. SDG 10 - Reduced Inequalities
    SDG 10 Reduced Inequalities
  4. SDG 16 - Peace, Justice and Strong Institutions
    SDG 16 Peace, Justice and Strong Institutions
  5. SDG 17 - Partnerships for the Goals
    SDG 17 Partnerships for the Goals

Keywords

  • Ireland
  • Religion
  • Ulster Scots
  • Presbyterian
  • Death
  • Literature
  • Culture

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