Resistance and Pride: the Murals of Orgosolo, Sardinia

Bill Rolston

Research output: Contribution to journalArticle

Abstract

The small town of Orgosolo in the mountains of Sardinia is known for its murals:hundreds of them in a town of only 5,000 inhabitants. Although murals exist throughoutSardinia, those of Orgosolo are noteworthy because of their political content. This articledescribes the origins of the mural tradition in the events of the late 1960s and early 1970s in the town. The combination of a left-wing council and youth group, as well as the powerful influence of an art teacher, led to the start of a process that continues to this day. The murals are classified into four interrelated themes: war, resistance, ethnic pride and resonance. But most importantly, the relevance of the mural tradition is placed in the context of the rejection by local people of northern Italian stereotypes which display them as backward shepherds and bandits, wedded inexorably to tradition and the rejection of progress.
LanguageEnglish
Pages73-101
JournalState Crime Journal
Volume3
Issue number1
Publication statusPublished - 2014

Fingerprint

Pride
Sardinia
Murals
Rejection
1970s
1960s
Mountains
Art Teachers
Stereotypes

Keywords

  • Orgosolo
  • Sardinia
  • murals
  • resistance
  • ethnic pride

Cite this

Rolston, Bill. / Resistance and Pride: the Murals of Orgosolo, Sardinia. In: State Crime Journal. 2014 ; Vol. 3, No. 1. pp. 73-101.
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Rolston, B 2014, 'Resistance and Pride: the Murals of Orgosolo, Sardinia', State Crime Journal, vol. 3, no. 1, pp. 73-101.

Resistance and Pride: the Murals of Orgosolo, Sardinia. / Rolston, Bill.

In: State Crime Journal, Vol. 3, No. 1, 2014, p. 73-101.

Research output: Contribution to journalArticle

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