Remains

Willie Doherty

Remains

Willie Doherty (Photographer)

Research output: Non-textual form › Exhibition

Abstract

Exhibition (ArtSonje Project # 3) at The Art Sonje Center of Willy Doherty’s video and photographic work .

The title of the exhibition was taken from "Remains", which is an image work that the artist filmed in 2013 in his hometown of Derry, Ireland.

"Remains" is based on the artist's interest in the relationship between landscape and memory as a work filmed in the background of these events. He deals with places that have been stained with unfired stories, some of which are forgotten, half remembered, or unconscious. Doherty uses these cameras to investigate these places in forensic detail. A long tracking shot continues in the background while a man recalls his lifelong experience of violence and control. In the middle of a man's story, an image of a burning car is interrupted, which was the motif that first appeared in the artist's work in the early 1990s and continues to this day.

In this exhibition, a series of photographs ‹Incident› (1993) and ‹Border Incident›(1994) were presented together.

Original language	English
Place of Publication	Seoul
Publisher	Art Sonje Center
Media of output	Film
Size	15 minutes
Publication status	Published (in print/issue) - 8 Jul 2017
Event	Art Sonje Project #3: Willie Doherty – Remains - Art Sonje Center, Seoul, Korea, Democratic People's Republic of Duration: 8 Jul 2017 → 6 Aug 2017 https://www.britishcouncil.kr/en/uk-korea-2017-18/events/willie-doherty

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 16 Peace, Justice and Strong Institutions

Cite this

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title = "Remains",

abstract = "Exhibition (ArtSonje Project \# 3) at The Art Sonje Center of Willy Doherty{\textquoteright}s video and photographic work .The title of the exhibition was taken from {"}Remains{"}, which is an image work that the artist filmed in 2013 in his hometown of Derry, Ireland. {"}Remains{"} is based on the artist's interest in the relationship between landscape and memory as a work filmed in the background of these events. He deals with places that have been stained with unfired stories, some of which are forgotten, half remembered, or unconscious. Doherty uses these cameras to investigate these places in forensic detail. A long tracking shot continues in the background while a man recalls his lifelong experience of violence and control. In the middle of a man's story, an image of a burning car is interrupted, which was the motif that first appeared in the artist's work in the early 1990s and continues to this day. In this exhibition, a series of photographs ‹Incident› (1993) and ‹Border Incident›(1994) were presented together. ",

author = "Willie Doherty",

year = "2017",

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language = "English",

publisher = "Art Sonje Center",

note = "Art Sonje Project \#3: Willie Doherty – Remains ; Conference date: 08-07-2017 Through 06-08-2017",

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UR - http://artsonje.org/willie/#

UR - https://www.britishcouncil.kr/en/uk-korea-2017-18/events/willie-doherty

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M3 - Exhibition

PB - Art Sonje Center

CY - Seoul

T2 - Art Sonje Project #3: Willie Doherty – Remains

Y2 - 8 July 2017 through 6 August 2017

ER -

Remains

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