Abstract
'Process Book 15' forms part of an ongoing series of books comprised of screenprinted test prints created from multiple typographic 'events'. These 'events' undertake analogue and digital approaches to consider the visual and material attributes of language. The overprinting of the typographic forms create moments of interruption and dialogue, while fostering chance collision and discovery.
This series of Process Books form part of wider research into the materiality of language where typography is disrupted and expanded, challenging the patriarchal logic and fixity of language, to deepen understanding of graphic design and typography as a critical and creative practice.
Group Exhibition at Rua Red Winter Open, Dublin.
This series of Process Books form part of wider research into the materiality of language where typography is disrupted and expanded, challenging the patriarchal logic and fixity of language, to deepen understanding of graphic design and typography as a critical and creative practice.
Group Exhibition at Rua Red Winter Open, Dublin.
| Original language | English |
|---|---|
| Publication status | Published (in print/issue) - 2019 |
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Dive into the research topics of 'Process Book 15 exhibited at Rua Red Winter Open'. Together they form a unique fingerprint.Student theses
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Di-alogue: materiality and the language object
Clancy, P. (Author), Mc Brinn, J. (Supervisor) & Boyd, K. (Supervisor), Sept 2025Student thesis: Doctoral Thesis
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