A practical workshop applying clown techniques to Clov's role at the beginning of Endgame, to explore the limits of embodying optimism, constant failure, and physical maladroitness in Beckett's text, working with a professional actor who had recently played the role at Bristol Old Vic, without recourse to clown techniques. A prime consideration was the effect on the actor's capacity to physically and mentally sustain the performance using contrasting strategies.
|Title of host publication||Unknown Host Publication|
|Number of pages||0|
|Publication status||Published (in print/issue) - 2004|
|Event||Page and Stage: Fifty Years of Performing Beckett - University of Leeds|
Duration: 1 Jan 2004 → …
|Conference||Page and Stage: Fifty Years of Performing Beckett|
|Period||1/01/04 → …|