Picturing Peace: Murals and Memory in Colombia

Bill Rolston, Sofi Ospina

Research output: Contribution to journalArticle

Abstract

The painting of murals and graffiti is a widespread and wellestablished practice in Colombia. Most of the artwork is not directly political. However, a significant number of murals speak directly to the political problems of the society; to the protracted violent political conflict and the emerging peace process in Colombia. They articulate the memory of violence and represent the demands of victims for acknowledgement, reparation and justice. That articulation varies through different regions in Colombia, depending on the balance of forces between guerrillas, former paramilitaries and the state. The phenomenon of mural painting represents the meeting between victims’ agency and activist art in Colombia.
LanguageEnglish
Pages23-45
JournalRace and Class
Volume58
Issue number3
DOIs
Publication statusPublished - 1 Jan 2017

Fingerprint

Colombia
Murals
Peace
Paramilitaries
Mural Paintings
Reparation
Art
Activists
Graffiti
Peace Process
Acknowledgement
Articulation
Artwork
Justice

Keywords

  • Armed conflict
  • Colombia
  • FARC
  • graffiti
  • Justice and Peace process
  • memory
  • murals
  • political art
  • victims

Cite this

Rolston, Bill ; Ospina, Sofi. / Picturing Peace: Murals and Memory in Colombia. In: Race and Class. 2017 ; Vol. 58, No. 3. pp. 23-45.
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Picturing Peace: Murals and Memory in Colombia. / Rolston, Bill; Ospina, Sofi.

In: Race and Class, Vol. 58, No. 3, 01.01.2017, p. 23-45.

Research output: Contribution to journalArticle

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