TY - BOOK
T1 - Performing Story on the Contemporary Stage
AU - Maguire, Tom
N1 - 'Tom Maguire's Performing Story on the Contemporary Stage is a cutting-edge and enlightening analysis of new theatre practices – documentary, stand-up comedy, biography and autobiography, monologue plays. It is groundbreaking in the range of contemporary performance it considers but also gains depth from a long-range historical emphasis on storytelling as the primal act of theatre.' - Anthony Roche, Professor of English, Drama and Film, University College Dublin, Ireland
PY - 2015/1/26
Y1 - 2015/1/26
N2 - Storytelling performance is everywhere on the stage today: from the schtick of the stand-up comedian to the harrowing stories of verbatim theatre. This is the first book to take a comparative approach to these diverse forms to address the related questions of how story worlds are created on stage and what happens when spectators experience storytelling. Tom Maguire draws on an international range of storytelling performances to identify commonalities and distinctions, with examples including work by Anna Deavere Smith, Dario Fo, Franca Rame, Bobby Baker and Billy Connolly. He argues that storytelling performance can be characterized by the prominence of three specific factors: the degree of emphasis on narration in performance; the use of specific (epic and post-epic) modes of performance; and the immediate reciprocity of the relationship between the teller and the audience. His case study method generates detailed discussions and draws out conclusions with widespread application.
AB - Storytelling performance is everywhere on the stage today: from the schtick of the stand-up comedian to the harrowing stories of verbatim theatre. This is the first book to take a comparative approach to these diverse forms to address the related questions of how story worlds are created on stage and what happens when spectators experience storytelling. Tom Maguire draws on an international range of storytelling performances to identify commonalities and distinctions, with examples including work by Anna Deavere Smith, Dario Fo, Franca Rame, Bobby Baker and Billy Connolly. He argues that storytelling performance can be characterized by the prominence of three specific factors: the degree of emphasis on narration in performance; the use of specific (epic and post-epic) modes of performance; and the immediate reciprocity of the relationship between the teller and the audience. His case study method generates detailed discussions and draws out conclusions with widespread application.
KW - storytelling performance
KW - contemporary theatre
KW - performing arts
UR - https://pure.ulster.ac.uk/en/searchAll/index/?search=11469877&pageSize=25&showAdvanced=false&allConcepts=true&inferConcepts=true&searchBy=PartOfNameOrTitle
M3 - Book
SN - 9781137356406
BT - Performing Story on the Contemporary Stage
PB - Palgrave Macmillan
CY - Basingstoke
ER -