Performing Story on the Contemporary Stage

Research output: Book/ReportBook

9 Citations (Scopus)

Abstract

Storytelling performance is everywhere on the stage today: from the schtick of the stand-up comedian to the harrowing stories of verbatim theatre. This is the first book to take a comparative approach to these diverse forms to address the related questions of how story worlds are created on stage and what happens when spectators experience storytelling. Tom Maguire draws on an international range of storytelling performances to identify commonalities and distinctions, with examples including work by Anna Deavere Smith, Dario Fo, Franca Rame, Bobby Baker and Billy Connolly. He argues that storytelling performance can be characterized by the prominence of three specific factors: the degree of emphasis on narration in performance; the use of specific (epic and post-epic) modes of performance; and the immediate reciprocity of the relationship between the teller and the audience. His case study method generates detailed discussions and draws out conclusions with widespread application.
LanguageEnglish
Place of PublicationBasingstoke
Number of pages206
Publication statusPublished - 26 Jan 2015

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performance
spectator
narration
reciprocity
theater
experience

Keywords

  • storytelling performance
  • contemporary theatre
  • performing arts

Cite this

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title = "Performing Story on the Contemporary Stage",
abstract = "Storytelling performance is everywhere on the stage today: from the schtick of the stand-up comedian to the harrowing stories of verbatim theatre. This is the first book to take a comparative approach to these diverse forms to address the related questions of how story worlds are created on stage and what happens when spectators experience storytelling. Tom Maguire draws on an international range of storytelling performances to identify commonalities and distinctions, with examples including work by Anna Deavere Smith, Dario Fo, Franca Rame, Bobby Baker and Billy Connolly. He argues that storytelling performance can be characterized by the prominence of three specific factors: the degree of emphasis on narration in performance; the use of specific (epic and post-epic) modes of performance; and the immediate reciprocity of the relationship between the teller and the audience. His case study method generates detailed discussions and draws out conclusions with widespread application.",
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Performing Story on the Contemporary Stage. / Maguire, Tom.

Basingstoke, 2015. 206 p.

Research output: Book/ReportBook

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