Paradise

Ralf Sander

Paradise

Research output: Non-textual form › Artefact

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Abstract

I developed this project as a reaction to a personal invitation for a participation in the international art project THE LINE at the demillitarized zone between North and South Korea.Following an intense research about backgrounds, and the current situation in the DMZ,I found out that since 1953 the 8 mile deep and 163 miles long fenced demarcation zone was not entered by humans. As a result animals, believed to be extinct started to establish there again. I decided for the Paradise object after lots of different possible solutions and experiments, becaus the word describes originally a fenced garden in old Persian language.The chosen images are ambivalent in the context of the DMZ. I use Rubens Fall Of Man and a depiction of the Paradise by Jan Bruegel the junger in combination with the visible landscape at the location of display. The word paradise is cut out of the image and a possibility to watch the other side.

Original language	English
Place of Publication	Imjingak area Civilian Control Zone (DMZ) & KINTEX, Ilsan-city
Publication status	Published - 8 Oct 2014
Event	The Line - DMZ, South Korea / Heyrie, South Korea Duration: 8 Oct 2014 → 11 Nov 2015

Keywords

DMZ

Access to Document

03bAccepted author manuscript, 380 KB
2nd the LINE Picture the unification 20140304[ENG]Accepted author manuscript, 33.4 MB

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Cite this

Sander, R. (Author). (2014). Paradise. Artefact, . http://artradarjournal.com/2013/09/06/art-behind-military-lines-koreas-real-dmz-project-picture-feast/

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abstract = "I developed this project as a reaction to a personal invitation for a participation in the international art project THE LINE at the demillitarized zone between North and South Korea.Following an intense research about backgrounds, and the current situation in the DMZ,I found out that since 1953 the 8 mile deep and 163 miles long fenced demarcation zone was not entered by humans. As a result animals, believed to be extinct started to establish there again. I decided for the Paradise object after lots of different possible solutions and experiments, becaus the word describes originally a fenced garden in old Persian language.The chosen images are ambivalent in the context of the DMZ. I use Rubens Fall Of Man and a depiction of the Paradise by Jan Bruegel the junger in combination with the visible landscape at the location of display. The word paradise is cut out of the image and a possibility to watch the other side.",

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author = "Ralf Sander",

note = "Reference text: Ministry of Unification, GyeongGi Province, Gyeonggi Tourism Organisation SAMSUNG, Crown-Haitai Confectionery & Food Ltd Korea Racing Authority, POSCO Outputmediatype: Installation,; The Line ; Conference date: 08-10-2014 Through 11-11-2015",

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AU - Sander, Ralf

N1 - Reference text: Ministry of Unification, GyeongGi Province, Gyeonggi Tourism Organisation SAMSUNG, Crown-Haitai Confectionery & Food Ltd Korea Racing Authority, POSCO Outputmediatype: Installation,

PY - 2014/10/8

Y1 - 2014/10/8

N2 - I developed this project as a reaction to a personal invitation for a participation in the international art project THE LINE at the demillitarized zone between North and South Korea.Following an intense research about backgrounds, and the current situation in the DMZ,I found out that since 1953 the 8 mile deep and 163 miles long fenced demarcation zone was not entered by humans. As a result animals, believed to be extinct started to establish there again. I decided for the Paradise object after lots of different possible solutions and experiments, becaus the word describes originally a fenced garden in old Persian language.The chosen images are ambivalent in the context of the DMZ. I use Rubens Fall Of Man and a depiction of the Paradise by Jan Bruegel the junger in combination with the visible landscape at the location of display. The word paradise is cut out of the image and a possibility to watch the other side.

AB - I developed this project as a reaction to a personal invitation for a participation in the international art project THE LINE at the demillitarized zone between North and South Korea.Following an intense research about backgrounds, and the current situation in the DMZ,I found out that since 1953 the 8 mile deep and 163 miles long fenced demarcation zone was not entered by humans. As a result animals, believed to be extinct started to establish there again. I decided for the Paradise object after lots of different possible solutions and experiments, becaus the word describes originally a fenced garden in old Persian language.The chosen images are ambivalent in the context of the DMZ. I use Rubens Fall Of Man and a depiction of the Paradise by Jan Bruegel the junger in combination with the visible landscape at the location of display. The word paradise is cut out of the image and a possibility to watch the other side.

KW - DMZ

UR - http://artradarjournal.com/2013/09/06/art-behind-military-lines-koreas-real-dmz-project-picture-feast/

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CY - Imjingak area Civilian Control Zone (DMZ) & KINTEX, Ilsan-city

T2 - The Line

Y2 - 8 October 2014 through 11 November 2015

ER -