Abstract
This article maps Irish cinema through Fernando Solanas' grid of 'first', 'second' and 'third' cinemas. In this way, it can be argued that Irish cinema is an 'arriere-garde' cinema that inhabits a contradictory space between the local and the global. Thus indigenous cinema seeking to address contemporary Ireland coexists with a 'first' cinema that continues to reinscribe the myth of romantic rural Ireland, also sold as commodity kitsch.
| Original language | English |
|---|---|
| Title of host publication | Theorising National Cinema |
| Editors | Valentina Vitali, Paul Willemen |
| Publisher | British Film Institute |
| Pages | 88-99 |
| ISBN (Print) | 1-84457-120-3 |
| Publication status | Published (in print/issue) - 2006 |
Keywords
- national cinema
- Ireland
- 'third' cinema