This article considers Irish cinema in its local, European and global contexts and argues that because Hollywood increasingly speaks with a globalising voice then competing voices, rooted in local cultures, have become more important and necessary. Irish cinema, as a small national cinema, represents one example of the national local speaking to the global with an indigenous address.
|Title of host publication||Border Crossing: Film in Ireland, Britain and Europe|
|Editors||John Hill, Martin McLoone, Paul Hainsworth|
|Publisher||Queen's University Belfast|
|Publication status||Published - 1994|
- Irish cinema
- national identity
- national cinema
McLoone, M. (1994). National Cinema and Cultural Identity: Ireland in Europe. In J. Hill, M. McLoone, & P. Hainsworth (Eds.), Border Crossing: Film in Ireland, Britain and Europe (pp. 146-173). Queen's University Belfast.