National Cinema and Cultural Identity: Ireland in Europe

Martin McLoone

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

    Abstract

    This article considers Irish cinema in its local, European and global contexts and argues that because Hollywood increasingly speaks with a globalising voice then competing voices, rooted in local cultures, have become more important and necessary. Irish cinema, as a small national cinema, represents one example of the national local speaking to the global with an indigenous address.
    LanguageEnglish
    Title of host publicationBorder Crossing: Film in Ireland, Britain and Europe
    EditorsJohn Hill, Martin McLoone, Paul Hainsworth
    Pages146-173
    Publication statusPublished - 1994

    Fingerprint

    Cinema
    Ireland
    Cultural Identity
    National Cinema
    Hollywood
    Local Culture

    Keywords

    • Irish cinema
    • Hollywood
    • globalisation
    • national identity
    • national cinema

    Cite this

    McLoone, M. (1994). National Cinema and Cultural Identity: Ireland in Europe. In J. Hill, M. McLoone, & P. Hainsworth (Eds.), Border Crossing: Film in Ireland, Britain and Europe (pp. 146-173)
    McLoone, Martin. / National Cinema and Cultural Identity: Ireland in Europe. Border Crossing: Film in Ireland, Britain and Europe. editor / John Hill ; Martin McLoone ; Paul Hainsworth. 1994. pp. 146-173
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    McLoone, M 1994, National Cinema and Cultural Identity: Ireland in Europe. in J Hill, M McLoone & P Hainsworth (eds), Border Crossing: Film in Ireland, Britain and Europe. pp. 146-173.

    National Cinema and Cultural Identity: Ireland in Europe. / McLoone, Martin.

    Border Crossing: Film in Ireland, Britain and Europe. ed. / John Hill; Martin McLoone; Paul Hainsworth. 1994. p. 146-173.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

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