Abstract
This paper outlines a theory of style and performance in Canadian film based on geography, gender and genre. It is possible to form a theory of Canadian cinema based on theme-genre (strong women, nature as oppressor in dysfunctional family melodramas) in which female characters, as well as their personas, interact with both a physical geography and a social space to define a Canadian identity.
Original language | English |
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Pages (from-to) | 149-166 |
Journal | CINEJ Cinema Journal |
Volume | 2 |
Issue number | 2 |
DOIs | |
Publication status | Published (in print/issue) - 1 May 2013 |
Bibliographical note
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Keywords
- Canadian cinema
- cultural geography