Market Stall Performance, Sailortown Barra

Robert Brian Connolly

Market Stall Performance, Sailortown Barra

Research output: Non-textual form › Performance

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Abstract

Artist's interactive & 'relational' performance artwork as part of a public event in Sailortown, Belfast. The artist tried to sell surreal and sociopolitical items and involve the public in a range of related activities. The artwork took the form of a Market Stall.

Original language	English
Publication status	Published - 12 Aug 2018
Event	Sailortown Barra: Venues across Sailortown, north Belfast - Sailortown Neighbourhood, Belfast, Northern Ireland Duration: 10 Aug 2018 → 12 Aug 2018 http://householdbelfast.co.uk/project/sailortown-barra/

Keywords

Artist Performance, Relational Aesthetics, Sailortown Barra, Household, Market Stall Performance, Brian Connolly
Market Stall Performance,
Performance Art Transactions
Context Related Performance

Access to Document

6 Performance

Market Stall Performance Nan
Connolly, R. B., 26 Oct 2013
Research output: Non-textual form › Performance

File
Market Stall Cavan
Connolly, R. B., 11 Aug 2012
Research output: Non-textual form › Performance
‘Market Stall Koprivnica’
Connolly, R. B., 16 Jun 2012
Research output: Non-textual form › Performance

Cite this

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title = "Market Stall Performance, Sailortown Barra",

abstract = "Artist's interactive & 'relational' performance artwork as part of a public event in Sailortown, Belfast. The artist tried to sell surreal and sociopolitical items and involve the public in a range of related activities. The artwork took the form of a Market Stall.",

keywords = "Artist Performance, Relational Aesthetics, Sailortown Barra, Household, Market Stall Performance, Brian Connolly , Market Stall Performance,, Performance Art Transactions, Context Related Performance",

author = "Connolly, {Robert Brian}",

note = "This artwork was established as an {\textquoteleft}Interactive Performance{\textquoteright} and during the performance I tried to sell my {\textquoteleft}wares{\textquoteright} within the public arena of the Public Square in Sailortown. My intention was to directly engage the public through subtle humor and surreal imagery, within the various processes and potential transactions. These included {\textquoteleft}Countries for Sale{\textquoteright}, Centimeters for sale in an edition of 1/100, Second Hand Teeth, circular pieces of Moon for sale, a NATO Darts Game, Virtual Reality Goggles, etc. The fact that the Market Stall was aligned to other traders was a key strategic factor within the development of the artwork. I chose to perform as a Market Trader in order to engage the public audience directly as they were not aware of it as a {\textquoteleft}performance{\textquoteright} within the category of art. It was therefore camouflaged and the public, while in {\textquoteleft}shopping mode{\textquoteright}, encountered ideas within the structure of the artwork or were forced to ask questions about the nature of my business/performance transactions. ; Sailortown Barra : Venues across Sailortown, north Belfast ; Conference date: 10-08-2018 Through 12-08-2018",

year = "2018",

month = aug,

day = "12",

language = "English",

url = "http://householdbelfast.co.uk/project/sailortown-barra/",

}

TY - ADVS

T1 - Market Stall Performance, Sailortown Barra

A2 - Connolly, Robert Brian

N1 - This artwork was established as an ‘Interactive Performance’ and during the performance I tried to sell my ‘wares’ within the public arena of the Public Square in Sailortown. My intention was to directly engage the public through subtle humor and surreal imagery, within the various processes and potential transactions. These included ‘Countries for Sale’, Centimeters for sale in an edition of 1/100, Second Hand Teeth, circular pieces of Moon for sale, a NATO Darts Game, Virtual Reality Goggles, etc. The fact that the Market Stall was aligned to other traders was a key strategic factor within the development of the artwork. I chose to perform as a Market Trader in order to engage the public audience directly as they were not aware of it as a ‘performance’ within the category of art. It was therefore camouflaged and the public, while in ‘shopping mode’, encountered ideas within the structure of the artwork or were forced to ask questions about the nature of my business/performance transactions.

PY - 2018/8/12

Y1 - 2018/8/12

N2 - Artist's interactive & 'relational' performance artwork as part of a public event in Sailortown, Belfast. The artist tried to sell surreal and sociopolitical items and involve the public in a range of related activities. The artwork took the form of a Market Stall.

AB - Artist's interactive & 'relational' performance artwork as part of a public event in Sailortown, Belfast. The artist tried to sell surreal and sociopolitical items and involve the public in a range of related activities. The artwork took the form of a Market Stall.

KW - Artist Performance, Relational Aesthetics, Sailortown Barra, Household, Market Stall Performance, Brian Connolly

KW - Market Stall Performance,

KW - Performance Art Transactions

KW - Context Related Performance

M3 - Performance

T2 - Sailortown Barra

Y2 - 10 August 2018 through 12 August 2018

ER -

Market Stall Performance, Sailortown Barra

Abstract

Keywords

Access to Document

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Research output

Market Stall Performance Nan

Market Stall Cavan

‘Market Stall Koprivnica’

Cite this