Abstract
The first of two editorials as an invited guest editor for DRTP on the nature of notebooks and sketchbooks across different creative disciplines. Peer reviewing, paper selection and compilation of international research papers. Introductory essay discusses the history and nature of notebooks such as their operational methods and structures and how different disciplines such as geographers, scientists, writers, artists, archeologists, and architects use them in 'the field' and in their practice with specific commentary on each research paper. The level of interest and submissions brought a wide body of research that has lead to a special double issue of the journal. DRTP Volume 11 part 2 which is in production.
| Original language | English |
|---|---|
| Pages (from-to) | 3-13 |
| Number of pages | 10 |
| Journal | Drawing: Research, Theory, Practice |
| Volume | 11 |
| Issue number | 1 |
| Early online date | 1 Apr 2026 |
| DOIs | |
| Publication status | Published (in print/issue) - 14 Aug 2026 |
Bibliographical note
Drawing: Research, Theory and Practice promotes and disseminates drawing research with a focus on contemporary practice and its theoretical context. The journal seeks to reestablish the materiality of drawing as a medium at a time when virtual and online electronic media dominates visuality and Communication. This peer-reviewed publication represents drawing as a significant discipline in its own right and in a diversity of forms: as an experimental practice, as research, as representation and/or documentation, as historical and/or theoretical exploration, as process or as performance. It explores the drawing discipline across fine art, science and technology, textiles, fashion, social and cultural practices. ( publishers statement)UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 4 Quality Education
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SDG 13 Climate Action
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SDG 15 Life on Land
Keywords
- Notebooks
- Drawing
- creative practice
- sketchbooks
- artists
- writers
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