Abstract
Living but a Day: Encounters at the LAB Gallery, Dublin, offers a window into Chloe Austin's practice-based research, which explores the impact of text-based communication on queer and feminist expression across the island of Ireland. This multifaceted study navigates the exchange between language, identity, and activism, tracing the evolution of queer representation and striving for a new ‘living’ archive.
Within this research framework, an array of methodologies is employed, ranging between performance-led workshops, live performances, participatory exhibitions, and bodily interventions. These processes are deeply collaborative, inviting individuals from diverse backgrounds to contribute their perspectives and experiences.
Central to the project's ethos is its engagement with queer and feminist printed ephemera and archival materials, which serve as repositories of historical narratives and catalysts for contemporary dialogue. Through performative approaches such as re-speaking, repetition, and reinterpretation, these materials become vessels through which the voices of the past are brought into conversation with the realities of the present. As the project evolves, it transforms into a series of tangible encounters, each one a physical manifestation of this ongoing dialogue. These interventions, whether in the form of installation, performance, or interactive exhibition, serve as essential case studies within the broader research inquiry, illuminating the intricate intersections of text, identity, and activism.
By occupying physical space and inviting audience engagement, Living but a Day: Encounters creates a dynamic platform for reflection, conversation, and exploration. It is within these moments of encounter and exchange that the true power of the project is realised, fostering a deeper understanding of the complexities of queer and feminist expression across the island of Ireland.
Within this research framework, an array of methodologies is employed, ranging between performance-led workshops, live performances, participatory exhibitions, and bodily interventions. These processes are deeply collaborative, inviting individuals from diverse backgrounds to contribute their perspectives and experiences.
Central to the project's ethos is its engagement with queer and feminist printed ephemera and archival materials, which serve as repositories of historical narratives and catalysts for contemporary dialogue. Through performative approaches such as re-speaking, repetition, and reinterpretation, these materials become vessels through which the voices of the past are brought into conversation with the realities of the present. As the project evolves, it transforms into a series of tangible encounters, each one a physical manifestation of this ongoing dialogue. These interventions, whether in the form of installation, performance, or interactive exhibition, serve as essential case studies within the broader research inquiry, illuminating the intricate intersections of text, identity, and activism.
By occupying physical space and inviting audience engagement, Living but a Day: Encounters creates a dynamic platform for reflection, conversation, and exploration. It is within these moments of encounter and exchange that the true power of the project is realised, fostering a deeper understanding of the complexities of queer and feminist expression across the island of Ireland.
| Original language | English |
|---|---|
| Publication status | Published (in print/issue) - 2024 |
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Living but a day: queer and feminist typographic interventions through archival engagement and participatory practice across Ireland
Austin, C. (Author), Montgomery, I. (Supervisor), Dixon, B. (Supervisor) & Mc Brinn, J. (Supervisor), Feb 2026Student thesis: Doctoral Thesis
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