Language, vision and music

P McKevitt (Editor), S O Nuallain (Editor), C Mulvihill (Editor)

Research output: Book/ReportAnthology

2 Downloads (Pure)

Abstract

Language, vision and music: what common cognitive patterns underlie our competence in these disparate modes of thought? Language (natural & formal), vision and music seem to share at least the following attributes: a hierarchical organisation of constituents, recursivity, metaphor, the possibility of self-reference, ambiguity, and systematicity. Can we propose the existence of a general symbol system with instantiations in these three modes or is the only commonality to be found at the level of such entities as cerebral columnar automata? Answers are to be found in this international collection of work which recognises that one of the basic features of consciousness is its MultiModality, that there are possibilities to model this with contemporary technology, and that cross-cultural commonalities in the experience of, and creativity within, the various modalities are significant. With the advent of Intelligent MultiMedia this aspect of consciousness implementation in mind/brain acquires new significance.
Original languageEnglish
Number of pages433
Publication statusPublished - Nov 2002

Fingerprint

Music
Language
Consciousness
Natural Language
Creativity
Thought
Mind-brain
Constituent
Multimodality
Modality
Symbol Systems
Entity
Systematicity
Multimedia
Automata
Self-reference
Instantiation

Cite this

McKevitt, P., O Nuallain, S., & Mulvihill, C. (Eds.) (2002). Language, vision and music.
McKevitt, P (Editor) ; O Nuallain, S (Editor) ; Mulvihill, C (Editor). / Language, vision and music. 2002. 433 p.
@book{7dc1fe2e09804f5b8a4d879490ea29f6,
title = "Language, vision and music",
abstract = "Language, vision and music: what common cognitive patterns underlie our competence in these disparate modes of thought? Language (natural & formal), vision and music seem to share at least the following attributes: a hierarchical organisation of constituents, recursivity, metaphor, the possibility of self-reference, ambiguity, and systematicity. Can we propose the existence of a general symbol system with instantiations in these three modes or is the only commonality to be found at the level of such entities as cerebral columnar automata? Answers are to be found in this international collection of work which recognises that one of the basic features of consciousness is its MultiModality, that there are possibilities to model this with contemporary technology, and that cross-cultural commonalities in the experience of, and creativity within, the various modalities are significant. With the advent of Intelligent MultiMedia this aspect of consciousness implementation in mind/brain acquires new significance.",
editor = "P McKevitt and {O Nuallain}, S and C Mulvihill",
year = "2002",
month = "11",
language = "English",
isbn = "978 90 272 5155 8 (Eur.) / 978 1 58811 109 8 (US)",

}

McKevitt, P, O Nuallain, S & Mulvihill, C (eds) 2002, Language, vision and music.

Language, vision and music. / McKevitt, P (Editor); O Nuallain, S (Editor); Mulvihill, C (Editor).

2002. 433 p.

Research output: Book/ReportAnthology

TY - BOOK

T1 - Language, vision and music

A2 - McKevitt, P

A2 - O Nuallain, S

A2 - Mulvihill, C

PY - 2002/11

Y1 - 2002/11

N2 - Language, vision and music: what common cognitive patterns underlie our competence in these disparate modes of thought? Language (natural & formal), vision and music seem to share at least the following attributes: a hierarchical organisation of constituents, recursivity, metaphor, the possibility of self-reference, ambiguity, and systematicity. Can we propose the existence of a general symbol system with instantiations in these three modes or is the only commonality to be found at the level of such entities as cerebral columnar automata? Answers are to be found in this international collection of work which recognises that one of the basic features of consciousness is its MultiModality, that there are possibilities to model this with contemporary technology, and that cross-cultural commonalities in the experience of, and creativity within, the various modalities are significant. With the advent of Intelligent MultiMedia this aspect of consciousness implementation in mind/brain acquires new significance.

AB - Language, vision and music: what common cognitive patterns underlie our competence in these disparate modes of thought? Language (natural & formal), vision and music seem to share at least the following attributes: a hierarchical organisation of constituents, recursivity, metaphor, the possibility of self-reference, ambiguity, and systematicity. Can we propose the existence of a general symbol system with instantiations in these three modes or is the only commonality to be found at the level of such entities as cerebral columnar automata? Answers are to be found in this international collection of work which recognises that one of the basic features of consciousness is its MultiModality, that there are possibilities to model this with contemporary technology, and that cross-cultural commonalities in the experience of, and creativity within, the various modalities are significant. With the advent of Intelligent MultiMedia this aspect of consciousness implementation in mind/brain acquires new significance.

M3 - Anthology

SN - 978 90 272 5155 8 (Eur.) / 978 1 58811 109 8 (US)

BT - Language, vision and music

ER -

McKevitt P, (ed.), O Nuallain S, (ed.), Mulvihill C, (ed.). Language, vision and music. 2002. 433 p.