Abstract
This article reconsiders Judgment at Nuremberg in its historical and cultural context in order to draw conclusions on the legitimacy of how it balances social ethics and filmic aesthetics to the end of producing a film with mass popular appeal.
Original language | English |
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Pages (from-to) | 75-96 |
Number of pages | 21 |
Journal | London Review of International Law |
Volume | 6 |
Issue number | 1 |
DOIs | |
Publication status | Published (in print/issue) - 24 Aug 2018 |
Keywords
- Judgment at Nuremberg