"Joyce’s Artistic Effects"

Christa-Maria Lerm Hayes

"Joyce’s Artistic Effects"

Christa-Maria Lerm Hayes

Research output: Non-textual form › Exhibition

26 Downloads (Pure)

Abstract

Arising from the large, itnernational "Joyce in Art" exhibition, RHA, dublin, Bloomsday Centenary, Dublin 2004, I was interested in representing Joyce at a festival focussing on seven canonical Western writers. This gave me access to a traditional writers' museum, the Tolstoy Estate, Yasnaya Polyana, Russia, a National Museum.It was highly unusual to take contemporary art into such a context - considering both the audiences of the museum and other Festival participants from other countries.It was an experiment that was embraced by the locals in particular, workers on the farm that is Tolstoy's Estate. This endeavour enabled "knowledge transfer", networks and some small steps towards contemporary art being seen as an important tool in the mediation of literature, especially of authors that were socially interested and engaged, such as Tolstoy and Joyce.

Original language	English
Size	30
Publication status	Published (in print/issue) - 1 Sept 2010
Event	"Joyce’s Artistic Effects" - Tolstoy Estate / Yasnaya Polyana, Russia Duration: 1 Sept 2010 → 14 Sept 2010

Bibliographical note

Garden of Geniuses Festival, at the invitation of Vladimir Tolstoy
Outputmediatype: Curated Exhibition

Access to Document

Joyce'sArtisticEffectsYasnayaPolyanaListAuthor Accepted Manuscript, 24.5 KB
Joyce'sVisualEffectsTolstoyMuseum1Author Accepted Manuscript, 27 KB

Cite this

@misc{82a89a59e72c4a4fbbc8220bcab7374e,

title = "{"}Joyce{\textquoteright}s Artistic Effects{"}",

abstract = "Arising from the large, itnernational {"}Joyce in Art{"} exhibition, RHA, dublin, Bloomsday Centenary, Dublin 2004, I was interested in representing Joyce at a festival focussing on seven canonical Western writers. This gave me access to a traditional writers' museum, the Tolstoy Estate, Yasnaya Polyana, Russia, a National Museum.It was highly unusual to take contemporary art into such a context - considering both the audiences of the museum and other Festival participants from other countries.It was an experiment that was embraced by the locals in particular, workers on the farm that is Tolstoy's Estate. This endeavour enabled {"}knowledge transfer{"}, networks and some small steps towards contemporary art being seen as an important tool in the mediation of literature, especially of authors that were socially interested and engaged, such as Tolstoy and Joyce.",

author = "{Lerm Hayes}, Christa-Maria",

note = "Garden of Geniuses Festival, at the invitation of Vladimir Tolstoy Outputmediatype: Curated Exhibition; {"}Joyce{\textquoteright}s Artistic Effects{"} ; Conference date: 01-09-2010 Through 14-09-2010",

year = "2010",

month = sep,

day = "1",

language = "English",

}

TY - ADVS

T1 - "Joyce’s Artistic Effects"

AU - Lerm Hayes, Christa-Maria

N1 - Garden of Geniuses Festival, at the invitation of Vladimir Tolstoy Outputmediatype: Curated Exhibition

PY - 2010/9/1

Y1 - 2010/9/1

N2 - Arising from the large, itnernational "Joyce in Art" exhibition, RHA, dublin, Bloomsday Centenary, Dublin 2004, I was interested in representing Joyce at a festival focussing on seven canonical Western writers. This gave me access to a traditional writers' museum, the Tolstoy Estate, Yasnaya Polyana, Russia, a National Museum.It was highly unusual to take contemporary art into such a context - considering both the audiences of the museum and other Festival participants from other countries.It was an experiment that was embraced by the locals in particular, workers on the farm that is Tolstoy's Estate. This endeavour enabled "knowledge transfer", networks and some small steps towards contemporary art being seen as an important tool in the mediation of literature, especially of authors that were socially interested and engaged, such as Tolstoy and Joyce.

AB - Arising from the large, itnernational "Joyce in Art" exhibition, RHA, dublin, Bloomsday Centenary, Dublin 2004, I was interested in representing Joyce at a festival focussing on seven canonical Western writers. This gave me access to a traditional writers' museum, the Tolstoy Estate, Yasnaya Polyana, Russia, a National Museum.It was highly unusual to take contemporary art into such a context - considering both the audiences of the museum and other Festival participants from other countries.It was an experiment that was embraced by the locals in particular, workers on the farm that is Tolstoy's Estate. This endeavour enabled "knowledge transfer", networks and some small steps towards contemporary art being seen as an important tool in the mediation of literature, especially of authors that were socially interested and engaged, such as Tolstoy and Joyce.

M3 - Exhibition

T2 - "Joyce’s Artistic Effects"

Y2 - 1 September 2010 through 14 September 2010

ER -

"Joyce’s Artistic Effects"

Abstract

Bibliographical note

Access to Document

Fingerprint

Cite this