Jetsam

Doris Rohr

Jetsam

Doris Rohr

Research output: Non-textual form › Exhibition

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Abstract

JetsamThis exhibition is the culmination of three and half years of practice-based research examining the natural environment through physical and imagined encounters. Following John Ruskin’s proposed method of closely observing detail, Rohr’s work speaks of ecological responsibility as the drawings are intended to celebrate and mourn a vanishing world of natural diversity. The drawings’ overall intentions are to encourage a reconsideration of our relationship to the environment, promoting caretaking and respect.

Original language	English
Size	18
Publication status	Published - 29 Mar 2016
Event	Jetsam - Storey Institute / Lancaster Duration: 29 Mar 2016 → 4 Apr 2016

Keywords

drawing observation perception insight ecology nature disaster phenomenology narrative stream of consciousness weather marine

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

Jetsam listAccepted author manuscript, 2.55 MB
Overview1Final published version, 1.58 MB
Exhibitionoverview2Final published version, 2.03 MB
Exhbitionoverview3Final published version, 1.69 MB
Exhibitionoverview4Final published version, 1.57 MB
Exhibitionoverview5Final published version, 1.34 MB
ExhibitionoverviewMarinescroll1installationFinal published version, 1.48 MB
Marinescroll1detailfindings1Final published version, 1.95 MB
Marinescroll1detailfindings2Final published version, 2.27 MB
MarineScroll2Final published version, 1.81 MB
Exhibitionoverviewmarinescrolls3 4Final published version, 1.84 MB
Marinescroll3 detailwinterreiseFinal published version, 2.38 MB
Marinescroll3winterbirdsFinal published version, 2.06 MB
Marinescroll3detailwadingbirdsvanishingFinal published version, 1.79 MB
Marinescroll3detailwhatremainsFinal published version, 1.75 MB
Marinescroll3detailofbirdbonesFinal published version, 2 MB
Marinescroll3detailEzadeenrefugeshipFinal published version, 1.95 MB
Marinescroll3detail marinedisastersFinal published version, 1.69 MB
Marinescroll4detailRuskinsstonesFinal published version, 1.7 MB
Marinescroll1detailcuttlefishcamouflageFinal published version, 2.36 MB
InstallationshotcloudsequenceFinal published version, 1.92 MB
InstallationshotalgaeandvitrinesFinal published version, 1.32 MB
InstallationshotalgaeFinal published version, 2.08 MB
Installationalgae2Final published version, 1.6 MB
InstallationshotredalgaeFinal published version, 1.55 MB
Herring(tesco)Final published version, 1.79 MB
Exhibitionoverviewmarinescrolls3 4Final published version, 1.84 MB
Exhibitionoverviewmarinescrolls3 4Final published version, 1.84 MB

Cite this

@misc{ef15cfc0e24a4551a5297ee85418e2dd,

title = "Jetsam",

abstract = "JetsamThis exhibition is the culmination of three and half years of practice-based research examining the natural environment through physical and imagined encounters. Following John Ruskin{\textquoteright}s proposed method of closely observing detail, Rohr{\textquoteright}s work speaks of ecological responsibility as the drawings are intended to celebrate and mourn a vanishing world of natural diversity. The drawings{\textquoteright} overall intentions are to encourage a reconsideration of our relationship to the environment, promoting caretaking and respect.",

keywords = "drawing observation perception insight ecology nature disaster phenomenology narrative stream of consciousness weather marine",

author = "Doris Rohr",

note = "The exhibition shows the visual outcomes of a larger research project which weaves together the visual and the verbal as text. The written aspect of the research is currently unpublished and is subjected to further editorial process prior to part publication. Visual strategies have been tested in progress and in part in previous exhibitions, in particular in group show {"}Line- An Ambiguous Journey{"} 2015 Culturlann Belfast and two person show Rohr/Geddis {"}Dwindling Abundance{"} Georgian Gallery Newtownards 2016. Preparatory drawings have been shown in postgraduate research group shown {"}In-Betweenness{"} Storey Institute Lancaster in conjunction with Lancaster Institute of the Contemporary Arts, Lancaster University in 2015. All preparatory installations were developmental stages and differ significantly from the synthesis of the overall body of work installed and selected for {"}Jetsam{"}. Reference text: Ruskin, John, (1903-12) The Library Edition of The Works of John Ruskin, edited by E T Cook and Alexander Wedderburn, London: George Allen Carson, Rachel (1953) [1951] The Sea Around Us London: Staples Press Carson, R (1963) [1962] Silent Spring London: Hamish Hamilton Casey, Sarah and Davies, Gerry “A Garland of Thoughts” Ruskin and Contemporary Sight/ Site Sensitive Drawing” (February 2014) Tracey Drawing in Situ Casey, Sarah and Davies, Gerry “Lines of engagement: drawing walking tracking  Journal of Visual Art Practice  Vol. 14, Iss. 1, 2015 Cosgrove, D and Thornes, John E (1981) {\textquoteleft}Of Truth of Clouds: John Ruskin and the Moral Order in Landscape{\textquoteright}, in Pocock (ed) (1981) Humanistic Geography and Literature – Essays on the Experience of Place London: Croom Helm Day, Brian J. (2005) “The Moral Intuition of Ruskin{\textquoteright}s “Storm-Cloud” in Studies in English Literature, 1500-1900, Vol. 45, No. 4 The Nineteenth Century (Autumn, 2005): pp 917-933 Emerson, Sheila (1991) “The Authorization of Form: Ruskin and the Science of Chaos”, pp 149-66 in Hayles, Katherine N (ed) (1991) Chaos and Order Chicago and London: University of Chicago Press Fitch, Raymond E (1982) The Poison Sky - Myth and Apocalypse in Ruskin London: Ohio University Press Ford, T.H. (2011) “Ruskin{\textquoteright}s Storm-cloud: Heavenly messages and pathetic fallacies in a denatured world” International Social Science Journa,l Unesco, September 2011, 62 (205-206):287-299 Bognor Regis: John Wiley & Sons Gere, Charlie (2013) “Ruskin{\textquoteright}s Haunted Nature“ in Mays, Sas and Matheson, Neil, eds. (2013) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture. Manchester: Manchester University Press Grass, G{\"u}nter (2007) Catalogue Raisson{\'e}, Band I (Vol 1) Die Radierungen, G{\"o}ttingen: Steidl Harari, Josu{\'e} and Bell, David F. [eds] (1983 [1982]) Hermes: Literature, Science, Philosophy by Michel Serres, Baltimore: Johns Hopkins University Press Latour, B. (1999) The Politics of Nature Cambridge, MA: Harvard University Press. Macfarlane, Robert (2013) The Old Ways - A Journey On Foot London: Penguin Morton, Timothy (2009) [2007] Ecology without Nature Cambridge, Mass.: Harvard University Press Sebald, W G (2002) The Rings of Saturn, London: Vintage Books Sebald, W G (2014) Logis: A Place in the Country, London: Penguin Smith, Allan (2012) “Entropic Steps: Rocks, Ruins, and Increase in John Ruskin, Robert Smithson, and Per Kirkeby” in: Australian & New Zealand Journal of Art; (2012) Vol. 12.1 p178-199 Spuybroek, Lars (2011) The Sympathy of Things Ruskin and the Ecology of Design; Rotterdam: V2_Publishing, p 132 Stifter, Adalbert (1975 [1853] Bunte Steine M{\"u}nchen: Winkler Verlag Wheeler, Michael (ed) (1995) Ruskin and Environment, The Storm-Cloud of the Nineteenth Century Manchester and New York: Manchester University Press Outputmediatype: Exhibition of paper based drawings and paintings; Jetsam ; Conference date: 29-03-2016 Through 04-04-2016",

year = "2016",

month = mar,

day = "29",

language = "English",

}

TY - ADVS

T1 - Jetsam

AU - Rohr, Doris

N1 - The exhibition shows the visual outcomes of a larger research project which weaves together the visual and the verbal as text. The written aspect of the research is currently unpublished and is subjected to further editorial process prior to part publication. Visual strategies have been tested in progress and in part in previous exhibitions, in particular in group show "Line- An Ambiguous Journey" 2015 Culturlann Belfast and two person show Rohr/Geddis "Dwindling Abundance" Georgian Gallery Newtownards 2016. Preparatory drawings have been shown in postgraduate research group shown "In-Betweenness" Storey Institute Lancaster in conjunction with Lancaster Institute of the Contemporary Arts, Lancaster University in 2015. All preparatory installations were developmental stages and differ significantly from the synthesis of the overall body of work installed and selected for "Jetsam". Reference text: Ruskin, John, (1903-12) The Library Edition of The Works of John Ruskin, edited by E T Cook and Alexander Wedderburn, London: George Allen Carson, Rachel (1953) [1951] The Sea Around Us London: Staples Press Carson, R (1963) [1962] Silent Spring London: Hamish Hamilton Casey, Sarah and Davies, Gerry “A Garland of Thoughts” Ruskin and Contemporary Sight/ Site Sensitive Drawing” (February 2014) Tracey Drawing in Situ Casey, Sarah and Davies, Gerry “Lines of engagement: drawing walking tracking  Journal of Visual Art Practice  Vol. 14, Iss. 1, 2015 Cosgrove, D and Thornes, John E (1981) ‘Of Truth of Clouds: John Ruskin and the Moral Order in Landscape’, in Pocock (ed) (1981) Humanistic Geography and Literature – Essays on the Experience of Place London: Croom Helm Day, Brian J. (2005) “The Moral Intuition of Ruskin’s “Storm-Cloud” in Studies in English Literature, 1500-1900, Vol. 45, No. 4 The Nineteenth Century (Autumn, 2005): pp 917-933 Emerson, Sheila (1991) “The Authorization of Form: Ruskin and the Science of Chaos”, pp 149-66 in Hayles, Katherine N (ed) (1991) Chaos and Order Chicago and London: University of Chicago Press Fitch, Raymond E (1982) The Poison Sky - Myth and Apocalypse in Ruskin London: Ohio University Press Ford, T.H. (2011) “Ruskin’s Storm-cloud: Heavenly messages and pathetic fallacies in a denatured world” International Social Science Journa,l Unesco, September 2011, 62 (205-206):287-299 Bognor Regis: John Wiley & Sons Gere, Charlie (2013) “Ruskin’s Haunted Nature“ in Mays, Sas and Matheson, Neil, eds. (2013) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture. Manchester: Manchester University Press Grass, Günter (2007) Catalogue Raissoné, Band I (Vol 1) Die Radierungen, Göttingen: Steidl Harari, Josué and Bell, David F. [eds] (1983 [1982]) Hermes: Literature, Science, Philosophy by Michel Serres, Baltimore: Johns Hopkins University Press Latour, B. (1999) The Politics of Nature Cambridge, MA: Harvard University Press. Macfarlane, Robert (2013) The Old Ways - A Journey On Foot London: Penguin Morton, Timothy (2009) [2007] Ecology without Nature Cambridge, Mass.: Harvard University Press Sebald, W G (2002) The Rings of Saturn, London: Vintage Books Sebald, W G (2014) Logis: A Place in the Country, London: Penguin Smith, Allan (2012) “Entropic Steps: Rocks, Ruins, and Increase in John Ruskin, Robert Smithson, and Per Kirkeby” in: Australian & New Zealand Journal of Art; (2012) Vol. 12.1 p178-199 Spuybroek, Lars (2011) The Sympathy of Things Ruskin and the Ecology of Design; Rotterdam: V2_Publishing, p 132 Stifter, Adalbert (1975 [1853] Bunte Steine München: Winkler Verlag Wheeler, Michael (ed) (1995) Ruskin and Environment, The Storm-Cloud of the Nineteenth Century Manchester and New York: Manchester University Press Outputmediatype: Exhibition of paper based drawings and paintings

PY - 2016/3/29

Y1 - 2016/3/29

N2 - JetsamThis exhibition is the culmination of three and half years of practice-based research examining the natural environment through physical and imagined encounters. Following John Ruskin’s proposed method of closely observing detail, Rohr’s work speaks of ecological responsibility as the drawings are intended to celebrate and mourn a vanishing world of natural diversity. The drawings’ overall intentions are to encourage a reconsideration of our relationship to the environment, promoting caretaking and respect.

AB - JetsamThis exhibition is the culmination of three and half years of practice-based research examining the natural environment through physical and imagined encounters. Following John Ruskin’s proposed method of closely observing detail, Rohr’s work speaks of ecological responsibility as the drawings are intended to celebrate and mourn a vanishing world of natural diversity. The drawings’ overall intentions are to encourage a reconsideration of our relationship to the environment, promoting caretaking and respect.

KW - drawing observation perception insight ecology nature disaster phenomenology narrative stream of consciousness weather marine

UR - http://www.axisweb.org/p/dorisrohr

M3 - Exhibition

T2 - Jetsam

Y2 - 29 March 2016 through 4 April 2016

ER -

Jetsam

Abstract

Keywords

UN SDGs

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Cite this