Interiors Series I

Research output: Other contribution

Abstract

The familiar locations depicted in these works appear unfamiliar when photographed in a state of transition. They are institutional spaces found in state of flux and abandonment. These works strive to document a moment of transformation in between the human activity of these places. Furniture and objects exude a human presence. The stillness of the empty spaces emits an atmosphere that is evocative of the uncanny. Details: Series of five works, entitled, 'What the Visible Does Not show Us I & II' (1999) 61 cm x 92 cm colour c.type photographic print, ‘Partly Forgotten, Partly Never Known’ (1999) 122 cm x 152 cm colour duratran on lightbox, ‘Corridor’ (1999) 122 cm x 152 cm colour c.type photographic print, ‘The Hinterland’ (1998) 122 cm x 152 cm colour c.type photographic print. Edition of three.
LanguageEnglish
Publication statusPublished - 1998

Fingerprint

Henry Bond
Photographic Prints
Stillness
Hinterland
Atmosphere
Abandonment
Lightbox
Visible

Keywords

  • Photography
  • interiors
  • institutional space
  • the uncanny.

Cite this

@misc{efcb8c5cf86a45e8b7f61fcdf1fd896d,
title = "Interiors Series I",
abstract = "The familiar locations depicted in these works appear unfamiliar when photographed in a state of transition. They are institutional spaces found in state of flux and abandonment. These works strive to document a moment of transformation in between the human activity of these places. Furniture and objects exude a human presence. The stillness of the empty spaces emits an atmosphere that is evocative of the uncanny. Details: Series of five works, entitled, 'What the Visible Does Not show Us I & II' (1999) 61 cm x 92 cm colour c.type photographic print, ‘Partly Forgotten, Partly Never Known’ (1999) 122 cm x 152 cm colour duratran on lightbox, ‘Corridor’ (1999) 122 cm x 152 cm colour c.type photographic print, ‘The Hinterland’ (1998) 122 cm x 152 cm colour c.type photographic print. Edition of three.",
keywords = "Photography, interiors, institutional space, the uncanny.",
author = "Mary McIntyre",
note = "Works from this series were purchased by BT Millennium Collection, University of Ulster Collection and The Verdutte Institute, Amsterdam.",
year = "1998",
language = "English",
type = "Other",

}

Interiors Series I. / McIntyre, Mary.

1998, .

Research output: Other contribution

TY - GEN

T1 - Interiors Series I

AU - McIntyre, Mary

N1 - Works from this series were purchased by BT Millennium Collection, University of Ulster Collection and The Verdutte Institute, Amsterdam.

PY - 1998

Y1 - 1998

N2 - The familiar locations depicted in these works appear unfamiliar when photographed in a state of transition. They are institutional spaces found in state of flux and abandonment. These works strive to document a moment of transformation in between the human activity of these places. Furniture and objects exude a human presence. The stillness of the empty spaces emits an atmosphere that is evocative of the uncanny. Details: Series of five works, entitled, 'What the Visible Does Not show Us I & II' (1999) 61 cm x 92 cm colour c.type photographic print, ‘Partly Forgotten, Partly Never Known’ (1999) 122 cm x 152 cm colour duratran on lightbox, ‘Corridor’ (1999) 122 cm x 152 cm colour c.type photographic print, ‘The Hinterland’ (1998) 122 cm x 152 cm colour c.type photographic print. Edition of three.

AB - The familiar locations depicted in these works appear unfamiliar when photographed in a state of transition. They are institutional spaces found in state of flux and abandonment. These works strive to document a moment of transformation in between the human activity of these places. Furniture and objects exude a human presence. The stillness of the empty spaces emits an atmosphere that is evocative of the uncanny. Details: Series of five works, entitled, 'What the Visible Does Not show Us I & II' (1999) 61 cm x 92 cm colour c.type photographic print, ‘Partly Forgotten, Partly Never Known’ (1999) 122 cm x 152 cm colour duratran on lightbox, ‘Corridor’ (1999) 122 cm x 152 cm colour c.type photographic print, ‘The Hinterland’ (1998) 122 cm x 152 cm colour c.type photographic print. Edition of three.

KW - Photography

KW - interiors

KW - institutional space

KW - the uncanny.

UR - http://www.marymcintyre.org/images_1998_2000_page2.html

UR - http://www.marymcintyre.org/images_1998_2000_page3.html

M3 - Other contribution

ER -