Abstract
This chapter chapter synthesises research connecting broadly felt social trauma to horror cinema content, shifts in the popularity of certain subtypes of horror to changes in the business of filmmaking and the continual appeal of stock horror antagonists to humans’ evolved psychology, arguing that their integrated framework can comprehensively account for the popularity of the franchise while historicising its significance.
| Original language | English |
|---|---|
| Title of host publication | Blumhouse Productions |
| Subtitle of host publication | The New House of Horror |
| Place of Publication | Cardiff |
| Publisher | University of Wales |
| Chapter | 7 |
| Pages | 131-150 |
| Number of pages | 20 |
| ISBN (Print) | 178683863X |
| Publication status | Published (in print/issue) - 15 May 2022 |
Publication series
| Name | Horror Studies |
|---|
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- Horror Filmmaking
- Insidious
- Film Franchise
- Film Industry
- Film Business
- Film Studio
Fingerprint
Dive into the research topics of 'Insidious Patterns: An Integrative Analysis of Blumhouse’s Most Important Franchise'. Together they form a unique fingerprint.Research output
- 1 Book
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Blumhouse Productions: The New House of Horror
McCollum, V. (Editor), K. Platts, T. (Editor) & Clasen, M. (Editor), 15 May 2022, Cardiff: University of Wales. 288 p. (Horror Studies)Research output: Book/Report › Book › peer-review
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