Inside the Knot that Two Bodies Make

Steven Spier

    Research output: Chapter in Book/Report/Conference proceedingChapter

    LanguageEnglish
    Title of host publicationWilliam Forsythe and the Practice of Choreography. It Starts from Any Point
    Pages101-111
    Publication statusPublished - 2011

    Cite this

    Spier, S. (2011). Inside the Knot that Two Bodies Make. In William Forsythe and the Practice of Choreography. It Starts from Any Point (pp. 101-111)
    Spier, Steven. / Inside the Knot that Two Bodies Make. William Forsythe and the Practice of Choreography. It Starts from Any Point. 2011. pp. 101-111
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    title = "Inside the Knot that Two Bodies Make",
    author = "Steven Spier",
    note = "Originally printed in: Dance Research Journal, 39 (1). pp. 490-59. ISSN 0149 7677 (2007) http://eprints.ulster.ac.uk/13293/ Reference text: Dana Caspersen, William Forsythe, dance on film",
    year = "2011",
    language = "English",
    isbn = "9780415978231",
    pages = "101--111",
    booktitle = "William Forsythe and the Practice of Choreography. It Starts from Any Point",

    }

    Spier, S 2011, Inside the Knot that Two Bodies Make. in William Forsythe and the Practice of Choreography. It Starts from Any Point. pp. 101-111.

    Inside the Knot that Two Bodies Make. / Spier, Steven.

    William Forsythe and the Practice of Choreography. It Starts from Any Point. 2011. p. 101-111.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    TY - CHAP

    T1 - Inside the Knot that Two Bodies Make

    AU - Spier, Steven

    N1 - Originally printed in: Dance Research Journal, 39 (1). pp. 490-59. ISSN 0149 7677 (2007) http://eprints.ulster.ac.uk/13293/ Reference text: Dana Caspersen, William Forsythe, dance on film

    PY - 2011

    Y1 - 2011

    M3 - Chapter

    SN - 9780415978231

    SP - 101

    EP - 111

    BT - William Forsythe and the Practice of Choreography. It Starts from Any Point

    ER -

    Spier S. Inside the Knot that Two Bodies Make. In William Forsythe and the Practice of Choreography. It Starts from Any Point. 2011. p. 101-111