Activities per year
Abstract
Tattoos have been described as ‘visual artefacts’, facilitating identity formation, community belonging, commemoration and wellbeing. As indelible yet ultimately ephemeral inscriptions on the body, tattoos operate as archives of psychosocial and sociocultural memory, reflecting the cultural values and lived experiences of their time of creation. In an era of ‘liquid modernity’, the contemporary tattoo stands to communicate intangible cultural heritage, however despite their renowned permanency, the tattoo’s lifespan is tied to the mortality of its wearer, and without preservation, their invaluable insights will inevitably be lost to posterity.
This paper examines how contemporary creative art practices can offer alternative strategies to collect and preserve the visual and narrative insight of tattoo imagery. Adopting an art historical and practice-as-research approach, the project explores tattoos through the lens of ceramic and print-based forms by transforming their visual and embodied narratives into tangible objects that can exist beyond their natural lifespan. In doing so, the artistic object becomes both a recording medium and an archival material, capable of preserving not only tattoos’ visual aesthetics, but recontextualises them as collectible, archivable artefacts, ensuring that their cultural and affective meanings remain accessible to future generations.
This paper examines how contemporary creative art practices can offer alternative strategies to collect and preserve the visual and narrative insight of tattoo imagery. Adopting an art historical and practice-as-research approach, the project explores tattoos through the lens of ceramic and print-based forms by transforming their visual and embodied narratives into tangible objects that can exist beyond their natural lifespan. In doing so, the artistic object becomes both a recording medium and an archival material, capable of preserving not only tattoos’ visual aesthetics, but recontextualises them as collectible, archivable artefacts, ensuring that their cultural and affective meanings remain accessible to future generations.
| Original language | English |
|---|---|
| Publication status | Accepted - 27 Mar 2026 |
| Event | ARLIS UK & Ireland Conference 2026: Challenging Collections - Carriageworks Theatre, Leeds, United Kingdom Duration: 6 Jul 2026 → 8 Jul 2026 https://arlis.net/conferences/conference/ |
Conference
| Conference | ARLIS UK & Ireland Conference 2026: Challenging Collections |
|---|---|
| Country/Territory | United Kingdom |
| City | Leeds |
| Period | 6/07/26 → 8/07/26 |
| Internet address |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 3 Good Health and Well-being
-
SDG 9 Industry, Innovation, and Infrastructure
-
SDG 17 Partnerships for the Goals
Keywords
- tattoos
- practice as research
- printmaking
- ceramics
- archives
Fingerprint
Dive into the research topics of 'Indelible / Ephemeral: Collecting the Commemorative Tattoo through Contemporary Print and Ceramic Practices'. Together they form a unique fingerprint.Activities
- 1 Oral presentation
-
Indelible / Ephemeral: Collecting the Commemorative Tattoo through Contemporary Print and Ceramic Practices
Anderson Clarke, L. (Speaker)
6 Jul 2026 → 8 Jul 2026Activity: Talk or presentation › Oral presentation
Research output
- 1 Paper
-
Embodied in Ink: Commemoration, Connection and Culture in the Contemporary Tattoo
Anderson Clarke, L., 7 Jan 2026, (Accepted).Research output: Contribution to conference › Paper › peer-review
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver